30. Wolff (n.3 above], 122, and Poggioli, Renato, The Oaten Flute, in Harvard Library Bulletin 11 (1957], 147184Google Scholar, esp. The more realistic insects that occasionally intrude are less sympathetic, for instance the biting flies that plague Chloe and refuse to be driven away from the milk-pails (1.22.3). 2. GradeSaver, 22 July 2018 Web. 10. Relevant also to Longus strategy as I see it is Fryes discussion (135) of tragic minor characters in Ivanhoe: they remind the reader of the fate Scotts genre has spared the protagonists. thissection. This article has been with me for some time, and I have incurred a number of debts over the years; for their comments on an earlier version I am grateful to Elizabeth Harries, Charles Henderson, Jr., Peter White. McCulloh himself also sees a similarity to Plutarchs On Isis and Osiris 27. 3.597ff. The main theme of the story is the intervention of state and society into matters of love. Despite his light touch and the apparent simplicity of his language, Longus constructs a highly polished, tightly structured and stylistically complex work. Anderson (n.1 above) 135f. Daphnis and Chloe grow up together, herding the flocks for their foster parents. Schnberger [n.1 above), 159, on 1.20.1; McCulloh [n.1 above], 111; Anderson [n.1 above], 44f.) 2023 eNotes.com, Inc. All Rights Reserved.
The Complex Relationship Between Civil and Pastoral in Daphnis and Chloe: Daphnis and Chloe Summary | GradeSaver Daphnis and Chloe | work by Longus | Britannica He calls him Dafnis and takes him as his own child. what was the ekphrasis about in daphnis and chloe? The popular story spread to Europe in the 1500s. and 7584 with references. Written by Timothy Sexton Daphnis and Chloe is one of the few surviving examples of one of the most unusual genres of ancient literature: the Greek romance. Even if the discovery of the Sumerian texts alters the terms of the continuing debate on the origins of the novel, Andersons careful presentation of possible parallels (615) emphasizes for this reader the radical differences in Longus handling of the material and in the social and religious framework as well as the literary texture of Longus language and his indebtedness to a rich Greek and Latin tradition. Then, they learn an even more impressive skill when Lycaenion tells Daphnis about sex. Chalk, H.H.O. The god Pan threatens them, and they return Chlo. To review the long-standing debate on Longus originality is beyond the scope of this paper. (See McCulloh [n.1 above], 7278; Schnberger [n.1 above], passim; J. M. Edmonds in his introduction to the Loeb edition [London and Cambridge, Mass., 1916], vii-ix; Hunter [n.1 above], 5983.) Daphnis at 3.6), he pretty much kills the audiences fusions as well. Daphnis and Chlo grow up together. 98) has won few if any adherents. Our editors will review what youve submitted and determine whether to revise the article. How did Antonio Prove his generosity to the jew? He uses it to mean an interpreter of dreams and portents at 5.23.6 and to designate one of the men charged with the care of sacrifices at 5.15.10.) eNotes Editorial. At the same time, Dryantas, another shepherd, comes across a little girl whom he calls her Chloe. Daphnis and Chlo grow up together. On Longus language and style, see Norden, Eduard, Die Antike Kunstprosa 2 (Darmstadt 1958), i.437439Google Scholar; Rohde, Erwin, Der griechische Roman und seine Vorlaufer 4 (Hildesheim 1960), 550554Google Scholar; Valley, Gunnar, ber den Sprachgebrauch des Longus (Uppsala 1926); Hunter, 8498Google Scholar, with a review of earlier scholarship. Not affiliated with Harvard College. For ktma as landed property, see also e.g. 19. Rather than plunging his readers into the story or vouching for the veracity of what is to follow by presenting himself as an eyewitness or participant, Longus identifies himself, in a narrator's preface, as a sophisticated outsider, and informs his readers that what they are about to read is an extended ekphrasis, a literary description of a work of visual art: Hunting on Lesbos, I saw in a grotto of the Nymphs the most beautiful spectacle (theama) I have ever seen: a painted picture (eikona graptn), a tale of love (historian ertos). The main theme of the story is the intervention of state and society into matters of love. town and country) although the children are partially drawn into the urban world, their pastoral life continues. We are thankful for their contributions and encourage you to make yourown. What are the key themes? it comes to be associated frequently with Persians and other orientals, and more generally with pretty, delicate objects. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. Chalk, 46f. } However, a young man named Dorco asks to marry Chlo, but her father refuses. For a recent view of a comparable role in transition, one may think of the monks selling postcards to busloads of tourists in the relatively recently inaccessible monasteries on the cliffs of Meteora in Greece. George Dimock first made me aware of the multiple nuances of sphronousi here, including the sly glance at titillation. The foundlings are so named purely to make it appear that they are the genuine children of their shepherd foster-parents); similarly Kestner, Joseph (Ekphrasis as Frame in Longus Daphnis and Chloe, CW 67 [1973/74], 166171Google Scholar) speaks of the works realism rather than its fantasy (168). D aphnis and Chloe by Longus may seem like a simple novella about love; however, hidden within the narration are subtly implanted notions which reveal that the story focuses not only on love, but . For this will cure him that is sick, and How was Shylock punished by the law? 3. The boy is found and adopted by a goat herder, Lamon who names him "Dafnis". Ill n.69. 143154Google Scholar. Daphnis and Chloe is just one of five surviving Greek romances, a genre characterized by being written in prose rather than verse and featuring a narrative that is creatively fictional rather than adapting ancient myths. GradeSaver is Demosthenes On The Crown 41; Acts of the Apostles 5.1; and esp. The changing of the seasons is an important motif in Daphnis and Chloe and a device that also marks the passage of time. (Like Lampis, I would note, these maenads are rejected hopefuls.) We are thankful for their contributions and encourage you to make yourown. As the cacophony subsides, we enter yet another sonic dreamscape with the veiled and seductive Danse suppliante de Chlo ( 33:35 ). What are the key themes? In the end though, with some help from the god Pan, the two are reunited by their parents, and become married, and the two live happily ever after. 41. The work tells the story of two foundlings who are brought up by shepherds and who fall in love at an early age. Later, recognizing that they are in love with each other, Daphnis and Chloe begin to explore kissing and touching each other, although they are too nave to initiate sex. Heiserman (n.3 above), 140ff., notes comic elements but (as Hunter [n.l above], 119 n.31 points out) conflates in his discussion elements from new comedy and very broadly defined comic features. One day, Dafnis sees Khloya swimming naked in the sea and becomes physically attracted to her. The paintings (graphai) on the altar are alluded to tersely: Semele giving birth, Ariadne sleeping, Lycurgus in fetters, Pentheus being torn limb from limb, Indians being vanquished, Tyrrhenians being transformed; also represented are satyrs treading grapes, maenads dancing, and Pan himself, sitting on a rock and piping for the satyrs and maenads. Hubris, which can connote assault and battery and not infrequently sexual violence, coupled with the reminiscence of Sappho 105c LP (a reference noted by virtually every critic of Longus work see e.g. She adds, however, that there must be no blood drawn and the flesh must be exactly one pound. what was the ekphrasis about in daphnis and chloe? For this will cure him that is sick, and How was Shylock punished by the law? Cf. 22.
Daphnis and Chloe (Thornley translation)/Book 1 - Wikisource Daphnis and Chloe Longus 50 pages 1 hour read Longus Daphnis and Chloe Fiction | Novel | Adult A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides that feature detailed chapter summaries and analysis of major themes, characters, quotes, and essay topics. 4.7.11 of the same work, where habroteros = groomed for amatory conquest, and see editors note ad loc. If Shylock Daphnis and Chloe study guide contains a biography of Paul Turner Longus, quiz questions, major themes, characters, and a full summary and analysis. Articles from Britannica Encyclopedias for elementary and high school students. 14. Both critics finally read the tales differently from the way 1 do. Schnberger convincingly argues for this reading (over eikona graptn) on stylistic grounds. The next pastoral romance in prose after Longus probably mid-second-century A.D. work (for a recent discussion of the date, see Hunter [n.1 above), 115) appears to be Boccaccios Ameto (1341), as critics have frequently noted. Longus here puts an ironic distance between himself and his narrative, a distance which we come to recognize as typical of him: it may be true that oudeis erta ephugen pheuxetai (no one has escaped or will escape love), but on the evidence of this novel no one would wish to.. For critics views of external attacks on the countryside, see n.17 above. 3.64; McCulloh [n.1 above], 72ff,; Hunter [n.1 above], 73ff. They are allowed to make out though, so you know, it's not so bad after all. Hey! Lysias 19, On the Property of Aristodemus; cf. resource to ask questions, find answers, and discuss thenovel. thissection. eNotes.com, Inc. 5. ), Arktouros: Hellenic Studies Presented to B.M. 4. On infanticide and the exposing of infants in the Hellenistic period, see Tarn, W. W., Hellenistic Civilization 3 (London 1952), 100102Google Scholar. "corePageComponentGetUserInfoFromSharedSession": true, ; 7.6.5; 9.3.3. Get unlimited access to SuperSummaryfor only $0.70/week. Note: When citing an online source, it is important to include all necessary dates. As a pastoral prose romance, Longus' Daphnis and Chloe is something of an anomaly in a genre dominated for centuries by verse. The Question and Answer section for Daphnis and Chloe is a great what was the ekphrasis about in daphnis and chloe? 3.33.4, where Longus alludes to Sappho 105a LP when he has Daphnis pluck an apple for Chloe; see Schnberger 160, who also calls attention to Plato epigr. Daphnis and Chloe combines elements of pastoral poetry, prose adventure romance, mime, tragedy and especially comedy. Portia dresses up as a lawyer and agrees that Shylock may carve his pound of flesh from Antonio. Lamon, a simple goatherd, is grazing his goats on pastures near the city of Mytilene, when he discovers one of his female goats suckling an abandoned baby boy. Both the landscape within the story and the literary work itself owe their existence to precisely this taste for xenik terpsis (the enjoyment of the exotic) in urban gentlemen like Astylos and the hunter-narrator. As Northrop Frye (n.7 above) points out, inset tales with a narrative movement opposite to that of the main story establish the main story as one of a category of stories, giving it broader significance than it would have had as an isolated story (12). Hunter (n.1 above), 43f., points out that the phrase can mean both a painted picture and a description of a painting; he suggests that historian ertos may mean a painting as well as a story of love. Thanks for exploring this SuperSummary Study Guide of "Daphnis and Chloe" by Longus. In Achilles Tatius Leucippe and Clitophon the heterosexual hero accepts his cousin Clinias pederasty sympathetically (1.7ff.) Daphnis is one of the protagonists of the novel and the ancient Greek epitome of a handsome youth. On Philetas of Cos, see Pfeiffer, Rudolf, History of Classical Scholarship: From the Beginnings to the End of the Hellenistic Age (Oxford 1968), 8893Google Scholar. Alciphron 4.9.2 and 4.13.1 where the garden described as ertikou ktmation onts, ou gergou, the dear little estate of a connoisseur of love, not a farmer, is very reminiscent of what we have in Longus: the surviving part of the letter begins with the words erastou chrion Numphais thusian legousa opheilein ( her lovers place, saying she owed a sacrifice to the Nymphs) and describes the spot as twenty stadia (about two miles) distant from the city, calling it a leimn or kpos (a meadow the same word that appears in amatory scenes from Homer on or a garden), with a small amount of land for sowing near the villa and dominated by cypress and myrtle trees.
Daphnis and Chloe (The 1896 Athenian Society Translation) i.10ff. Log in here. In Daphnis and Chloe, Gnathon, a pederast by temperament (70), tries to enforce the status of eromenos on Daphnis, but the young man escapes his advances. Download PDF Access Full Guide Study Guide Shylock really wants his pound of flesh. If Shylock Daphnis and Chloe study guide contains a biography of Paul Turner Longus, quiz questions, major themes, characters, and a full summary and analysis. 2d, Theocritus 5.88 and 6.6, Vergil Ecl. In the novels of both Achilles Tatius and Heliodorus the brigands of the Nile Delta are called boukoloi. 14.
W HEN Fielding fathered the modern English novel in 1742, he - JSTOR publication in traditional print. Daphnis is presented as a pastoral demigod, the essence of youth, health, and beauty. n.74, points out the playful paraphrase of Agathons discussion of Eros in Platos Symposium 197e, where the expressions paidia (fun), spoud metria (moderate [and metrical] earnestness) and ho logos ti thei anakeisth (let my speech be offered to the god as an anathma) seem to provide Longus with a model. Lloyd, Janet (Sussex and New Jersey 1981), 2862Google Scholar, esp. Daphnis and Chloe Longus 50 pages 1 hour read Longus Daphnis and Chloe Fiction | Novel | Adult A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides that feature detailed chapter summaries and analysis of major themes, characters, quotes, and essay topics. Plato Rep. 536d; Aristotle, Pol. His conclusion (49), which differs in its thrust from mine, is that by stressing the element of to terpnon with an allusion to Thucydides, Longus aligns his work with that of Herodotus while claiming for it the qualities of to terpnon, to muthdes and to phelimon as well. Written by people who wish to remainanonymous. A very pastoral name for a very pastoral character: Daphnis is also the name of the shepherd said to have been the founder of pastoral poetry. Another interesting commentary that Longus provides is that neither person is a candidate for marriage until they have completed their character development, so he shows them each on a road of trials and temptations. A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides that feature detailed chapter summaries and analysis of major themes, characters, quotes, and essay topics. So Daphnis and Chloe were found and raised as friends in the same community. Schnberger (n.1 above), 164: Longos fasst Eros als die Urpotenz des Werdens auf, nicht als den hellenistischen Putto. I agree with Anderson (n.1 above), 132 n.9, where he speaks of the amusing effect of loading Platonic reminiscences on to a Hellenistic putto, and I am also inclined to see as a playful manipulation of a literary commonplace the reminiscences of Platos Symposium (cf. Critics from Goethe (Johann Wolfgang von Eckermann, Gesprche mil Goethe, Sonntag den 20. On the sophistication of author and audience, see Wolff, Samuel Lee, Greek Romances and Elizabethan Prose Fiction (New York 1912), 130Google Scholar; Paul Turner in his introduction to the Penguin translation (Harmondsworth 1956); Rosenmeyer, Thomas G., The Green Cabinet: Theocritus and the European Pastoral Lyric (Berkeley 1969), 121Google Scholar; Heiserman, Arthur, The Novel Before the Novel (Chicago and London 1977), 144Google Scholar; Halperin, 54f. He takes them what are some quotes or useful passages of analysis for daphnis and chloe? Wolff, for instance, states that a plot that has become entangled with the complex evils of court or town [is allowed] to straighten itself out under the simpler conditions of country life, and reach a happy end (123). Each aspect of romantic love is given a clear image by the plot, allowing the story to transcend itself, and the effect is that the story functions like an expos of the interplay of masculinity and femininity and the ancient, timeless power of love. The Tyrian Pyrats plunder the fields, and carry away Daphnis.
On bouleu, bouleusis, bouleusas as terms connoting legal responsibility, see Said, Suzanne, La faute tragique (Paris 1978), 169fGoogle Scholar. When he takes out his slingshot and kills the bird, as most country boys would (cf. ): to him the reminiscence of Sappho at 4.8 suggests a universal erotic destructiveness and violence, which will have its place in a fundamentally religious economy of life involving rebirth and new growth after loss (77). Daphnis tells the Tale of the Stock-dove. also Hunter (n.1 above), 7683. Word Count: 237. You can help us out by revising, improving and updating Render date: 2023-07-04T22:32:15.575Z (On comic elements, see the discussion below.) For there was never any yet that wholly could escape love, and never shall there be any, never so long as beauty shall be, never so long as eyes can see., He is so poor that he could not keep a dog.. 1. How did Antonio Prove his generosity to the jew? 18. The flute-playing Satyr Marsyas dared to challenge Apollo, the god of the lyre, to a music contest; he was flayed for his efforts, his skin hung up. Cf. GradeSaver, 24 July 2018 Web. Shylock really wants his pound of flesh. Even critics who note the cruder realism with which Longus undercuts the illusion of utopian optimism (e.g. not consider this content professional or citable. After you claim a section youll have 24 hours to send in a draft. Pastoral has long been recognized as an invasive and expansionist genre: see the discussion and summary of earlier scholarship in Halperin, David M., Before Pastoral: Theocritus and the Ancient Tradition of Bucolic Poetry (New Haven and London 1983), 28ff.Google Scholar; for the daring catachresis of genres that characterizes Hellenistic poetry, see esp.
36. On Pitys, see n.40 below. the first sentence of the fictional editors foreword, with the alternate title The Confessions of a White Widowed Male. On boukolikos vs. pastoralis as a generic technical term, see Halperin (n.3 above), 8ff. (It may not be frivolous to reflect on how modem-day tourists who first believe that all natives are the smiling folk on travel posters may come to fear, after one nasty experience, that these same folk are all machete-wielding desperadoes.)
Daphnis and Chloe by Longus | Goodreads The novel explores the themes of innocence and eros (erotic desire). Word Count: 145 Daphnis, the protagonist, is tasked with finding a purse made of silver in order to profess his. Critics recognize that the first condition of pastoral is that it is an urban product in the words of Kermode, Frank (English Pastoral Poetry from the Beginnings to Marvell [London 1952], 14Google Scholar; cf. The author is known only as Longus and is believed to have lived on the isle of Lesbos between the 2nd and 3rd Century. Pitys (2) and 12211225 (Oder) s.v. For there was never any yet that wholly could escape love, and never shall there be any, never so long as beauty shall be, never so long as eyes can see., He is so poor that he could not keep a dog.. Longus, Paul Turner (Translator) 3.79. More books than SparkNotes. This child has also been left with tokens of finery, including gold anklets and gilded shoes. Longus introduces a pastoral element and fuses the romance with elements of New Comedy to create what ultimately is a hybridization that is often viewed as an essential precursor in the development of the novel. They both live in the same village and grow up to be attractive adolescents. The way they see the disappointing rustics reflects the way idealized views of a golden age/noble savage tend to be wedded to and easily slip into the opposite perception of the savage as innately brutal and inhuman. On tragic devices, such as the repeated appearance of the messenger, see Wolff (n.3 above), 122; on the characters and conventions of bourgeois New Comedy, see Edmonds (n.3 above), xi; Schnberger 6f., and 175; Reardon, B. P., The Greek Novel, Phoenix 23 (1969), 291309CrossRefGoogle Scholar, esp. Prom While hunting in a grove sacred to the Nymphs, in the island of Lesbos, I saw the most beautiful sight that I have ever seen: a picture representing a history of love. 3 (1977), 179196Google Scholar; Anderson (n.1 above), 111 n.1, 136 n.78, and more generally 111 and 4149; cf. It looks like we don't have any synopsis for this title yet.
Daphnis And Chloe | Encyclopedia.com Daphnis and Chloe is the story of a boy (Daphnis) and a girl (Chloe), each of whom is abandoned at birth along with some identifying tokens. GradeSaver, 27 July 2017 Web. Best summary PDF, themes, and quotes. View all Google Scholar citations He takes them what are some quotes or useful passages of analysis for daphnis and chloe? Mrz 1831) to Croiset (Histoire de la littrature grecque v.800) to Wolff (n.3 above), 124 cf. Download the entire Daphnis and Chlo study guide as a printable PDF! id., 46; Hunter [n.1 above], 109 n.47). Philippides (197) also sees the contrast between the violence of the Echo myth and the events of the plot of the third book, which is characterized by the total absence of physical violence, but goes on, in a loosely anthropological-religious framework, to blame the victim: In the descriptions of nature stress is placed on fertility and abundance, and the marriage between the hero and heroine is Finally arranged, but Echo dies because of her total denial of Eros. Hunter (53) notes that the sparagmos of Echo is a version found to my knowledge nowhere else, and is a Dionysiac element, more specifically reminiscent of the fate of Orpheus at the hands of Thracian maenads'. This time and experience is what makes them eligible to rediscover their love and marry as full-fledged adults. DAPHNIS AND CHLOE AN INTERPRETATION By PAUL TURNER W HEN left Fielding fathered his readers in no doubtthe modern about English novel in1742, hehis intentions. Ed.
Daphnis and Chloe Summary and Analysis - Free Book Notes He succeeds and asks her father's permission to marry her. 26. By using the term propaideusei, Longus presents himself or his book as an instructor. As a feminist critic has pointed out, being taken over by her pursuer as his symbol is the ultimate defeat of the victim who undergoes metamorphosis to preserve her integrity: for an excellent discussion of how Ovid treats Daphnes transformation I am endebted to Mary Kay Game), Apollo and Daphne: The Making of a Sign, paper delivered at the annual meeting of the American Philological Association, Toronto, December 1984. The treatment of sex in this story is demure and honorable, Daphnis ultimately deciding to wait until the fullness of time for his consummation with Chloe, although, he's mostly just afraid of getting caught, but still, he does the right thing for himself and for Chloe (at least in the point of view of the storyteller). What is Eros in relation to the story? Already a member? date the date you are citing the material. If there are three dates, the first date is the date of the original The girl is found and taken in by a shepherd, Dryas who names her "Khloya". Longus likes puns (see the references coveniently collected in Hunter [n.1 above), 8890, with notes on 127128).
Daphnis and Chloe Symbols & Motifs | SuperSummary For instance, among other ancient Greek novelists, Achilles Tatius (Leucippe and Clitophon) puts the narrator in the story; Dio Chrysostom (The Hunters of Euboea) presents himself as an eye-witness an approach Lucian parodies in his True History; Chariton (whose historical novel Chaereas and Callirhoe is set in fifth-century B.C. McCulloh is very good on the sparagmos of Echo at 3.23 (The dismemberment through its association with Orpheus and Dionysus, connotes the other side of Eros-Dionysus: destructive violence, a foreshadowing of Lampis ravage of the garden, and of the violent scenes depicted in the Dionysus shrine in that garden. Gows note ad loc. Not strangely, they fall in love, but because of their youthful innocence, they don't know what to do until Philetas, a wise old man, educates them about the art of kissing, and teaches them about romantic feelings. do not analyze why Longus adopts this strategy, and even those aware that there is no black and white opposition between Town and Country (Hunter [n.1 above], 55) blur the distinction between fantasy and reality: The ending of the novel suggests rather a balance between the two [sc. 1337al9; Lucian, Rh. Corrections?
Daphnis and Chloe - A Companion to the Ancient Novel - Wiley Online Library Pirates who attempted to kidnap the god were turned into dolphins and are depicted in one of the paintings gracing Lamons garden (see the Homeric Hymn to Dionysus; Ovid Met. This applies to the protagonist's amatory relationship and the portrayal of their . 7. 9. The boy laughed at Philetas and revealed himself to be the God of Love (Eros) in disguise, who now watches over Daphnis and Chloe. The story of Pitys and Pan is told by Nonnus and Lucian; a variant version that first appears in a tenth-century compilation but may be a good deal older gives Boreas and Pan as Pitys rival suitors and has her destroyed by Boreas when she chooses Pan. The scenes, and the stories they call forth for the reader, contain more violence than the language suggests: Dionysus was torn from Semeles body by Zeus when she was destroyed by his epiphany as the god of thunder and lightning: the sleeping Ariadne, abandoned by Theseus on Naxos, rests after her bacchic frenzy, claimed by Dionysus; Lycurgus, king of the Thracian Edoni, opposed the god and was bound and blinded; Pentheus was torn apart by maenads who included his mother, punished by sparagmos for denying the gods divinity; the Indians who resisted Dionysus were defeated as were the Tyrrhenian pirates who tried to sell him into slavery and were turned into dolphins by his power. Updates? Rohdes [n.3 above] view of Longus, 549n.2: Nach meinem Gefhl sind solche, in Wahrheit mckerhafte erotische Experimente sehr viel anstssiger ). On the possibility of an earlier Greek tradition of bucolic prose fiction, see Hunter, 66; on oriental models, see now Anderson, Graham, Ancient Fiction: The Novel in the Greco-Roman World (London 1984Google Scholar). We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Philetas words at 2.3.3 below). ; Apollodorus 3.37f. These notes were contributed by members of the GradeSaver community. Anonymous "Daphnis and Chloe Study Guide: Analysis". The humor is noted by Turner (n.3 above), 11f., and Anderson (n.1 above), 132 n.20. 34. truphn aei means something like always enjoying the good things in life, like the Methymnean youths who are described as discomfited truphomes (2.19.1; cf. Reading kainon rather than kenon with Schnberger. The Question and Answer section for Daphnis and Chloe is a great 38. When Daphnis and Chloe are abandoned as infants, they are found by two herders, one named Lamon who raises Daphnis, and one named Dryas who discovers Chloe and raises her. Goethe (n.17 above) focuses on this detail although he does not say why he singles it out: Es ist so durchdacht, dass darin kein Motiv fehlt und alle von der grndlichsten besten Art sind, wie zum Beispiel das von dem Schatz bei dem stinkenden Delphin am Meeresufer. Dolphins are associated with Dionysus: one saved Arion, the inventor of the dithyramb, from drowning when pirates forced him to jump overboard (Herodotus 1.23f; the dithyramb is Dionysus hymn, and Arion was dressed in full regalia. For a learned and excellent discussion of mimesis, the link between poetry and painting, and the prologue more generally, see id., 3852. Cf. Castiglioni, , RFIC 34 (1906), 312Google Scholar, followed by Dalmeyda in the Bud edition (2nd ed., Paris 1960), who thinks the passage an ancient interpolation, contemporaneous with the text and satisfying the imperial taste for paradoxa; Schnberger (n.1 above), 161, sees the passage as a genuine paradoxographical digression, as does Philippides, Marios, The Digressive Aitia in Longus, CW 74 (1980/81), 193199Google Scholar, esp.
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