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IBMOct17

How to Factor the Oscars: Hidden Figures, Stats on Women Revealed

by Quendrith Johnson, Los Angeles Correspondent

Who knew NASA and IBM would be the corporate darlings of this year’s Oscar race? Or, translated into Award Season trivia for 2017, who knew HIDDEN FIGURES from 20th Century Fox, about three NASA human “Computers,” would run up unexpected numbers at the box office and put stars Kevin Costner, Taraji P. Henson, Octavia Spencer, and Janelle Monáe on the Oscar radar?

HF-228 - Octavia Spencer stars as Dorothy Vaughan in HIDDEN FIGURES. Photo Credit: Hopper Stone.

Octavia Spencer stars as Dorothy Vaughan in HIDDEN FIGURES. Photo Credit: Hopper Stone.

The graph looks like this according to The Numbers, an insider box-office tracking service: Dec. 25, 2016 (release date) $515,499; Dec. 26, $831,571. Not impressed? By Dec. 27, the picture barely tops $1 M USD. However, in a five-day period between Jan. 5 and Jan. 10, 2017, in a run up to the Golden Globes, HIDDEN FIGURES goes from $2.5 M USD to $30 M USD. From Jan. 10 to Jan. 15, the picture tops $54 M USD and counting.

While the film took a backseat to singing-dancing LA LA LAND on Jan. 8 at the Golden Globes ceremony, nobody can deny that the film’s bump from being included in that awards show made a huge difference as far as audience awareness, and in turn box office totals.

You may not be a big fan of the Hollywood Foreign Press Association, or the checkered history of their Golden Globes presentation, but this year the GG’s hit it out of the park for a film that may have stayed hidden had not this show (among others) shined a spot on three remarkable African-American women who helped ushered in a win in the US-Russian Space Race back in the 60’s. The film picked up two nominations, for Hans Zimmer, Pharrell Williams, and Ben Wallfisch for Best Score, and for Octavia Spencer as Best Supporting Actress in a motion picture.

HF-207 - Taraji P. Henson as Katherine G. Johnson and Janelle Monáe as Mary Jackson in HIDDEN FIGURES. Photo Credit: Hopper Stone.

Taraji P. Henson as Katherine G. Johnson and Janelle Monáe as Mary Jackson in HIDDEN FIGURES. Photo Credit: Hopper Stone.

And now a brief moment to shine a spot on the man of the hour, here, because his star-power helped get this funded by Peter Chernin and other execs at 20th who always need “a name.” From Dances with Wolves to McFarland USA (see it), and now Hidden Figures, Costner is one of the only past or present A-List leading men with an eye on the prize for under-represented groups, including women. McFarland director Niki Caro (Whale Rider) singled him out for this Disney film because he is such a likable barrier breaker and that story is about a Mexican-American community track team that defies all odds.

DF-06401_R - Kevin Costner stars as NASA official Al Harrison, in HIDDEN FIGURES. Photo Credit: Hopper Stone.

Kevin Costner stars as NASA official Al Harrison, in HIDDEN FIGURES. Photo Credit: Hopper Stone.

But enough about Kevin Costner, he won’t get a nomination because Best Actor is a tough field this year, although there may be an honorary Oscar someday for his efforts. So let’s recognize him here and now for helping get some tough-to-fund projects made.

Now back to HIDDEN FIGURES, and why this movie may slip out from behind the pack and take Best Picture at the 2017 Academy Awards presentation on Sunday, Feb. 26. (Yes, Best Picture.) This movie is adapted from the novel by Margot Lee Shetterley from Harper Collins, and the real title is “The American Dream and Untold Story of The Black Women Mathematicians Who Helped Win The Space Race.” Written by an actual native of Hampton, Virginia, the book casts a kind light on John Glenn (Glen Powell) whose performance here is noteworthy as he seems both gender-blind and color-blind. Shetterley herself, as described in her bio is an Alfred P. Sloan Foundation Fellow, as well as “recipient of a Virginia Foundation for the Humanities grant for her research on women in computing.”IBMOct17

Along with gritty but elegant performances by actors Taraji P. Henson (Katherine Johnson), Octavia Spencer (Dorothy Vaughan), and Janelle Monáe (Mary Jackson), the film is a visual essay on the power of STEM in changing lives. STEM stands for Science, Math, Engineering, and Technology. It’s a plank in shoring up the American education system that is badly outdated. The notion that back in the 1960’s these real-life women of science (and of color) could have better chances than some women today is not lost on audiences. Hidden figures is a triple pun, their physical figures, math figures, and today’s still-grim stats for women in significant scientific jobs. Plus, the climate of learning in America right now is so consumer-oriented, most people barely know how to balance a checkbook anymore (much less figure payloads to the moon), as most of us live by the random swipe of plastic in a virtual ETF economy that circles the globe.

Melissa McCarthy hosted a Special Screening of this film earlier in the year, meaning it needed word-of-mouth among Hollywood’s creative community too. HIDDEN FIGURES has had music events. Pharrell Williams has a music credit and did a concert in Toronto for TIFF. It has inspired girl-empowerment events, screenings in Atlanta, all over North America, as a sleeper success story during this Award Season.

But back to the actual story. Vaughan just had a building named after her at NASA to commemorate her work, and Octavia Spencer pays off her legacy on her work getting us to the stars with a stellar performance. When was the last time you saw anyone hold up a Fortran programming book on screen and make it look like a way out of poverty. Spencer absolutely inhabits this real-life role as more than credible, but lovable. However, she is stuck in a very tough category for 2017, up against the formidable Viola Davis, who all but owns this supporting awards category for FENCES, the August Wilson screen adaptation of his literary playwriting masterpiece. Let’s just say there will be no Winner and Nominees in that category this year, it’s a win-win all the way around, no matter who takes home the statuette. TarajiHF17Taraji P. Henson, who slays in her role as Cookie Lyon as part of HBO’s urban epic Empire, did not even pick up a Golden Globe nom in the TV category on Jan. 8, but her performance in HIDDEN FIGURES is masterful in a different way. While she appears at times hysterical and high-strung as Katherine Johnson in HIDDEN, the reality her character touches is everything about all women in the workplace – from the bathroom to the Boardroom. And this is where the movie really spills out into the actual industry itself. It’s not just about women of color, it’s about all women, because no matter how you slice the stats, the stats are always lumped together as the percentages of females in key roles.

Take a look at the 2015 stats here, released in Feb. of 2016, known as the Comprehensive Annenberg Report on Diversity in Entertainment (CARD) from USC’s Institute for Diversity and Empowerment at Annenberg (IDEA). This excerpt here includes only few major statistical breakdowns on women in general for feature films. USCGenDir17Did you know 96.6% of all directors are men, with 3.4% women? Now factor women of color and that 3.4 percent divides again. Out of a pool of 6,421 writers, more than 71% are men, 28.9% are women. And, according to the study, an apologia of sorts, as in “it may also be the case, however, that executives feel more comfortable hiring women directors and screenwriters when the story pulls female.”

How many “executives” are women, you may wonder, to pull off this double miracle of generating more female-driven stories helmed by female-driven hands? Under the heading Top Corporate Executives by Gender and Position, this study reveals fully 81% of Board positions are held by men, while 79% are C-Suite (meaning C-level titles such as CEO, COO, CIO), and even in the ranks of Executive Management, another 81% are men. So we’re looking at a 1-in-5 chance changes will be coming anytime soon, as approximately 20% of the behind-the-scenes decision makers are women. USCCover17

HIDDEN FIGURES is that 1-in-5 project that got through the system. Directed by Theordore Melfi (St. Vincent (Bill Murray, Melissa McCarthy)), he shares a screenplay credit with Allison Schroeder. Schroeder is the writer of Mean Girls 2, and credited on Pineapple Express, but she also has a BA from Stanford, and a went to the Producing Program at USC. Her own story is one of education and advancement, another hidden stat rolled up in this remarkable movie.

The box office for HIDDEN FIGURES continues to climb on a sharp curve upward, and this film ranked #1 in the US in popularity this week for a reason. Not because it’s diverse, not because it’s about women, not because it’s about women of color, math, science, space, or technology… because it’s beyond awesome. These three life stories, based on actual scientists from NASA who excelled and were recognized despite segregation in America, have such poignant arcs that the connection to the audience is palpable in the theater. Now let’s see if Oscar voters feel the same pull, not toward the heavens, but toward the real issue facing people here on earth.

HIDDEN FIGURES official story, full cast credits, and featurette trailers can be found on this link. And now we even send women into space, see these NASA stats from Graphiq.

Stay tuned for more Oscar predictions… and peruse USC’s CARD study here. Mostly add up HIDDEN FIGURES Oscar chances for yourself, see it now.

SCREENMANCER is a gathering place for people who make movies and go out on a limb handicapping the Oscars.

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25 Clues Meryl Streep Is Not Overrated: Out of the “Sandra Dee Box” & Into A Twitter War

by Quendrith Johnson, Los Angeles Correspondent

So, here’s the story, as they say in the movies… Sunday night Jan. 8, at the Golden Globes hosted by Hollywood Foreign Press Association (HFPA), award-winning actor/legend Meryl Streep stepped in it by “calling out” the new US President-Elect with a pointed speech on bullying as an undesirable trait. Long story, short, the soon-to-be-installed President Donald J. Trump, ignited a Twitter firefight in which he dubbed Streep as among the most “overrated” actors in Hollywood.

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Well, in this tiny press window before the 89th Oscar ceremony on Sunday, Feb. 26, let’s get one thing straight: there are many overrated actors in Hollywood, but New Jersey-native Streep is not one of them. Without naming names, those actors know who they are – but do we really know who Meryl Streep is?

Just look at the interwebs traffic spikes since the Trump Twitter war started, then scroll below for the real deal on America’s (Elder) Sweetheart.

25 reasons Streep isn’t just hype… some obscure & just plain fun ones

1. Was inspired mostly by Mary, her mother, “who lit up a room” and was of Irish extraction. Also wished “my mother and father were alive to hear” the news of her Kennedy Center honor.

2. Streep’s Aunt Jane apparently didn’t think Meryl was an attractive child, also too bossy. It took years, but Meryl finally won her over. Family first focused Streep strikes again.

3. Wanted to be an opera singer, thought better of it, but fell in love with Ethel Merman, Carol Channing and Georgia Brown, iconic crooners on Broadway.

4. Claims she never wanted to be inside the “Sandra Dee Box,” meaning Streep always looked at widening acting for women in strong lead roles.

5. Even though she was Homecoming Queen – and a cheerleader – Meryl still wanted to be the female Spencer Tracy acting-wise.

6. Thumbed her way out of her small Jersey town, hitchhiking with a total stranger at age 21.

7. The legendary Joe Papp, of New York theater world fame, pegged Yale graduate Streep as  a “pure actor.” Going on the record with the quote “There are only a few people I would call pure actors. Meryl is one.”

8. Her first TV screen appearances included a part in breakthrough mini-series Holocaust in 1978, which by its overseas air date in 1979, was said to have “captured the imagination of Germans” in translation. Meryl’s later role in Sophia’s Choice, also translated into German, came with a built-in audience.

9. When TIME magazine published a cheeky article entitled “What Makes Meryl Magic” on Sept. 7, 1981, she confounded the hype by actually pulling off the magic trick of being one of the most nominated actors in Hollywood History.

10. Although “Meryl Streep: A Critical Biography” was published by Eugene E. Pfaff and Mark Emerson in 1987, she managed to build a remarkable career for the next three decades that defied all expectations.Streep17

11. When Newsweek Editor Jack Kroll died in 2000, he was still being credited as one of the first to recognize Meryl Streep’s considerable talents with a full-blown cover story photo and headline of the newcomer that read: “A Star for the ’80’s.” Little did he know this trend would continue today.

12. Has had her share of career disappointments. Meryl even got jealous of Jessica Lange when she landed the part in Sweet Dreams, Patsy Cline’s biopic, but never held it against Lange.

13. Calls the thinspiration sexy ingenue craze in Hollywood the “Victoria Secret Syndrome.”

14. Survived the nadir of her career when she played the Australian woman heard around the world with the phrase “dingo got my baby” in A Cry in the Dark (1988). Incidentally, the “Dingo Baby” cold case was revisited 24 years later because of this film.

15. Nicked the part of Italian lover to Clint Eastwood’s character in Bridges of Madison County from Sophia Loren by accident, but balances that out by the fact her husband was dumb-struck as a young man by Sophia Loren emerging from the sea in 1957’s campy flick Boy on A Dolphin. They’re great friends now.

16. Has stayed substance abuse free, and according to one magazine writer, Meryl Streep orders drinks for friends as “two waters, please.”

17. Wanted her daughter Mamie to study nuclear physics rather than acting, but later admitted she was kidding about the nuclear physics part – though initially seriously against acting.

18. Told Esquire magazine’s writer in 1984 that the problem with baby strollers in Manhattan is that they are at the level of car exhaust pipes, cementing her status as a truly caring mother.

19. Meryl Streep claims she does not have a favorite director. Implying many things about her diplomacy skills.

20. Has encouraged Martin Scorsese to feature a balanced, strong female lead character but doubts he will do it during her lifetime.

21. Admitted she was a below average cook while playing Julia Child in Julie & Julia.

22. Inspired a young Brittany Murphy with her performance in “Crayon versus Crayon” – before Murphy could pronounce the title. Sadly Murphy didn’t live to see her mentor continue to flourish.

23. Though inexplicably disliked by Katharine Hepburn, who may actually have sensed a threat to her own legacy in Hollywood, Streep didn’t let it phase her.

24. In 2003, when the reasons for Katharine Hepburn’s dislike of Streep were made public in the Scott Berg book “Kate Remembered,” the deceased Grand Dame labeled Meryl too technical as an actor and too cerebral — two traits Hepburn was famous for in the industry. Uh, Hepburn was also revealed to be a huge fan of John Travolta and enchanted with Michael Jackson. Streep: 1, Hepburn: 0.

25. Mary Louise “Meryl” Streep championed Patricia Arquette at the 2015 Oscar ceremony when Arquette demanded “equal pay for equal work” about women’s compensation in the industry. Not just talk, Streep has always championed the word “actor” for women instead of the throwback term “actress,” and in 2015 began funding a Women over 40 Screenwriting Program through New York Women in Film & Television to give unsung mature women a chance to shine in writing.

BONUS Points: As of Jan. 9, 2017, Meryl Streep, 67 years wise, refuses to respond to a Trump Twitter war slamming her speech denouncing bullying at the 2017 Golden Globes, held Sunday, Jan. 8, 2017.

So there’s 25 clues for Streep fans, as well as Mr. President-elect. While there is no Oscar for The Peaceful Transfer of Power in a Democracy, let’s all act accordingly. With Meryl Streep as a shining example of grace under pressure.

[Editor’s Note: Sources for this list include GOOD HOUSEKEEPING, TIME, Newsweek, book references as indicated, and archival interviews. Visualization from GRAPHIQ. The views expressed here are not designed to start a Twitter war with the incoming US President, God Bless America.]

SCREENMANCER is a gathering place for people who make movies, and are patriotic supporters of Meryl Streep.

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BradPittAllied

Movie Trailer Mash-Up, Or Brad Pitt’s Allied, Being Blunt & Get Out!

SCREENMANCER MOVIE TRAILER MASH-UP: Here’s a fun game, a visual one. Take your favorite movie trailers and together they tell their own story. In this case, we’ve heard Brad Pitt is a little down lately, so this one is just to cheer up an A-Lister. What do you get when you mash-up Pitt’s ALLIED, Emily Blunt’s THE GIRL ON THE TRAIN, and spooky future release GET OUT!?  Alliedlogo16We’re not exactly saying Paul Simon’s 50 Ways to Leave Your Lover, but it sure looks like that’s the message here. Okay, and now back to our regular trailer programming…

First, Brad Pitt Needs Some New Allies

France’s best export Marion Cotillard is so above the fray in life and the media. Plus she’s such an Oscar-magnet, this movie included. What’s it about? Nothing to do with the tabloids…

ALLIED is the story of intelligence officer Max Vatan (Pitt), who in 1942 North Africa encounters French Resistance fighter Marianne Beausejour (Cotillard) on a deadly mission behind enemy lines. Reunited in London, their relationship is threatened by the extreme pressures of the war. The buzz on this film is great, despite the Angelina Jolie-Brad Pitt domestic war chewing the media scenery around its release. Expect Marion to be nominated, or at least applauded for turning in a stellar performance opposite a Hollywood A-Lister.


Directed By: Robert Zemeckis
Starring: Brad Pitt & Marion Cotillard

Facebook: on this click
Twitter: here
Instagram for the movie
Website: AlliedMovie.com
#Allied

Let’s Be Blunt, D-i-v-o-r-c-e, Always a Great Movie Premise

In the thriller, Rachel (Blunt), who is devastated by her recent divorce, spends her daily commute fantasizing about the seemingly perfect couple who live in a house that her train passes every day, until one morning she sees something shocking happen there and becomes entangled in the mystery that unfolds. Is Emily Blunt always awesome, or what?

Based on Paula Hawkins’ bestselling novel, The Girl on the Train is adapted for the screen by Erin Cressida Wilson. Yes, Cressida Wilson, of the Chaucer-inspired name, wrote that freaky CHLOE (2009) movie with Amanda Seyfried who wrecks Julianne Moore and Liam Neeson’s onscreen marriage like a pro. The film’s executive producers are Jared LeBoff and Celia Costas, and it will be released by Universal Pictures.

Emily Blunt, Rebecca Ferguson, Haley Bennett, Justin Theroux (hey, wait a minute, isn’t he Jen Aniston’s husband? Bingo!), Luke Evans, Allison Janney, Edgar Ramirez, Lisa Kudrow and Laura Prepon star in DreamWorks Pictures’ The Girl on the Train, from director Tate Taylor (The Help, Get on Up) and producer Marc Platt (Bridge of Spies, Into the Woods).

Expect Justin Theroux to make a splash here, and make his wife Jennifer Aniston proud. It’s not easy going up against a talent like Emily Blunt, but it can be done.

When Someone Says “Get Out!,” You Better Split Quick

In Universal Pictures’ Get Out, a speculative thriller (don’t ask us what a speculative thriller is, but it’s kind of like imagining a worst-case scenario) from Blumhouse (producers of The Visit, Insidious series and The Gift) and the mind of Jordan Peele, when a young African-American man visits his white girlfriend’s family estate, he becomes ensnared in a more sinister real reason for the invitation. And can you believe Catherine Keener plays a super heavy in this one?

Now that Chris (Daniel Kaluuya, Sicario) and his girlfriend, Rose (Allison Williams, Girls), have reached the meet-the-parents milestone of dating, she invites him for a weekend getaway upstate with Missy (Catherine Keener) and Dean (Bradley Whitford, The Cabin in the Woods). At first, Chris reads the family’s overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he could have never imagined. Keener is hell-on-heels, mind control!

Equal parts gripping thriller and provocative commentary, Get Out is written and directed by Peele (Key and Peele) and produced by Blumhouse’s Jason Blum, as well as Sean McKittrick (Donnie Darko, The Box), Peele and Edward H. Hamm Jr. (The Box, Bad Words). The film also stars Caleb Landry Jones (X-Men series), Milton “Lil Rel” Howery (The Carmichael Show), Betty Gabriel (The Purge: Election Year), Marcus Henderson (Pete’s Dragon) and Keith Stanfield (Straight Outta Compton). www.getoutfilm.com

Disclaimer: So we’re not saying Brad Pitt should follow Screenmancer’s trailer mash-up advice here, but… while we’re reinventing how we see movies and movie marketing, he could reinvent himself in the uncoupling of the train-wreck that happens when you don’t know the light at the end of the tunnel is coming at you at the speed of an iron horse.

SCREENMANCER is a gathering place for people who make movies, get divorced, and are split between Angelina Jolie & Brad Pitt.

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Veng16

Okay Actors, So Here’s a Job, VENGEANCE Is Calling! 

SCREENMANCER CASTING ALERT: This comes to us from Evolutionary Films. And, yes, it is in London — but you LA folks will go anywhere now that the Pound is down and everything is at Brexit prices right? They tell us VENGEANCE is an action-packed revenge thriller about an ex-special forces soldier turned contract killer, Gold, who returns to his home town when he discovers that his adoptive family have been murdered.

And the call goes out for 17-to-60 year olds, plus the proverbial Local Constable, of course a Coroner, it is a thriller after all. Also not-so-affable chums named Billy and Spider and such.

They start shooting next month in London, as mentioned, and will be holding castings on Thurs. June 30th, and Fri. July 1st, and Mon. July 4th.  Evolutionary will also be hosting a read-through of the screenplay to workshop and get feedback, as well as a re-call process.  The read-through will take place on Sat. July 9,  at Three Mills Studio .
Stats on Star-studded Casting First

 

CASTING BREAKDOWN

Actors who would like to be considered for a part in VENGEANCE should contact diane@evolutionaryfilms.com with your CV and a recent headshot/online showreel.  The casting breakdown is as follows:
 

HATCHER – 45-50, male, Screen combat experience essential. Supremely confident veteran special forces soldier. Movie villain-style ego.

BARNES – 25-30, female. Screen combat experience essential. Professional soldier, with the respect of her team. She’s all about the mission, and Hatcher’s personal guard dog.

DAN – 35-40, Caucasian male, Screen combat experience essential. Square-jawed hero who personifies integrity and dignity. Ex-Brother in arms with Gold.

MARSHALL – 30-35, male, Screen combat experience essential. Total psychopath, barely kept in check by the rest of his special forces team.

LAMBERT – 35-40, male, Screen combat experience essential. Professional, take-no-shit soldier, placed in charge of running the team’s drug running operation.

KEITH – 35-50, male, total scumbag with a victim complex. Uses Sandra as his personal dogsbody. Desperate to get his drugs business back.

ROSE – 25-30, Caucasian female, girl next door. Takes the responsibilities of running her family café and looking after her younger sister very seriously. Feels trapped in her own hometown as a result.

Nice stats on Employment in Acting and Gender for grins…
 

ETTIE – 60-70, Caucasian female, doting wife to Ettie, mother to Dan and adoptive mother to Gold.

STOCKWELL – 35-40, male, Screen combat experience essential. Professional soldier with a very, very short fuse. Takes it all personally.

VIOLET – 17, Caucasian female, Rose’s younger sister. Hates the town, hates working at the café, hates that her parents passed away. Hates/loves Rose. Constantly on her phone messaging her friends.

CORONER – 45-60, male, empathic medical practitioner.

LOCAL CONSTABLE – 30-40, male, a dead loss. 10 steps behind everyone else. A good, mostly silent comedic performance required.

BRUCE – 40-60, Caucasian male, brusque but friendly pub landlord. Doesn’t take Gold asking questions in his pub very well.

HAMMER – 30-40, Afro-caribbean male, the biggest, most muscular/bulkiest human alive. Needs to be able to look directly down at Gold.

SPIDER – 30-40, Caucasian male, people trafficking scumbag. Tattoo’d face/head.

BILLY – 28-35, Caucasian male, jaw-droppingly handsome, people-trafficking scumbag.

LESTER – 40-50, male, Screen combat experience essential. Twitchy, nervous people-trafficking scumbag.

NELSON – 35-40, Afro-caribbean male, the intimidating muscle of the people trafficking operation.

CARLY – 16-18, Caucasian female, an attractive college student, now in a state of drug-induced delirium, having been kidnapped.

MR DAVIES – 40-60, Caucasian male, wealthy, well dressed businessman

MRS DAVIS – 40-55, Caucasian female, wealthy, well dressed

YOUTH – 16 – 25, male or female, slightly twitchy, trying to play it cool but failing miserably.

Don’t you just love reading (between the lines on) breakdowns… as opposed to having one? But wait, annual salary by gender stats just so you know what you’re worth.

Veng16

Screenmancer is a gathering place for people who make movies and cast them.

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JR_FL_Small[2]

Tom Cruise: Like Balls to The Wall in JACK REACHER, Seriously

SCREENMANCER TOM CRUISE ALERT: Hollywood’s first Billion Dollar BO Movie Star, a/k/a Tom Cruise is reaching for his inner bar-fighter again. JR_FL2_Small Yep, another adapt from the best-selling series authored by Lee Child, this one entitled Jack Reacher: Never Go Back. To quote our friends over at Paramount Pictures, “Two things are gonna happen in the next ninety seconds. First, you’re going to read this sentence. Second, you’re going to watch this trailer.” (Nothing like simple declarative sentences to get the blood up.)

So, here’s all the insider deets…

JACK REACHER: NEVER GO BACK is in theaters October 21, 2016. And they have their own pre-cooked hashtag #JackReacherMovie. Small TT_ JRThey also have Facebookhttps://www.facebook.com/JackReacherMovie/,  plus in the works, advance on Twitter: https://twitter.com/jackreacher, with sexy Instagram: https://www.instagram.com/jackreacher/. And even that old fashioned entity known as a website, Tom Cruise is baaaack.

Here’s interesting and fun stats on Mr. Mapother, uh, Mr. Cruise, or Keyser Söze, lol…

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