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Andy Serkis on the set of Twentieth Century Fox's "War for the Planet of the Apes."

Serkis, Serkis, Or How WETA Makes a Monkey Out of Andy For Caesar & Jane Goodall

By Screenmancer Staff

It’s already interesting that the Jane Goodall Institute has partnered with WAR FOR THE PLANET OF THE APES from 20th Century Fox, and that 150 chimpanzees in the Central Republic if Congo will benefit. “I think that the Planet of the Apes series makes people think about the apes and perhaps our relationship to them,” says Dr. Jane Goodall. “And anything that makes us think about our own humanity in relation to the rest of the animal kingdom is important.  So I think the series has helped.” But, what they’ve done to Andy Serkis’ face with WETA Digital is equally fascinating.

Andy Serkis on the set of Twentieth Century Fox's "War for the Planet of the Apes."

Andy Serkis on the set of 20th Century Fox’s “War for the Planet of the Apes.”

Spanning the last trio of primate-themed projects, WETA has perfected morphing their POA actors like Serkis, formerly Golem in LORD OF THE RINGS, into a full-blown simians. Before you start humming a Louis Prima tune about ‘learning to be human too,’ you have to check out the evolutionary process of these CG characters in “Face of Caesar” just released by 20th Century Fox as a visual sidebar to the movie, which opens smack in the middle of Summer Blockbuster Season.

Here’s a quick plot summary from 20th:

“In War for the Planet of the Apes, the third chapter of the critically acclaimed blockbuster franchise, Caesar and his apes are forced into a deadly conflict with an army of humans led by a ruthless Colonel.  After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind.  As the journey finally brings them face to face, Caesar and the Colonel are pitted against each other in an epic battle that will determine the fate of both their species and the future of the planet.”

The tagline is “Not all heroes are human,” and it’s going to be harder to differentiate which ones are from the WETA universe as this technology continues its march out of the Uncanny Valley. WAR FOR THE PLANET OF THE APES takes over theaters everywhere July 14. The cast pits Woody Harrelson against the primates mostly, vs Andy Serkis, Steve Zahn, even Judy Greer is in this.

See details below for all the relevant hashtags and social media hoo-ha.

WAR FOR THE PLANET OF THE APES 411

Action/Drama

Release: July 14, 2017
Director: Matt Reeves
Written by: Mark Bomback & Matt Reeves
Producers: Peter Chernin, Dylan Clark, Rick Jaffa & Amanda Silver
Cast: Andy Serkis, Woody Harrelson, Steve Zahn, Amiah Miller, Karin Konoval, Judy Greer & Terry Notary

WAR FOR THE PLANET OF THE APES on Interwebs

WEBSITE: http://WarForThePlanet.com
FACEBOOK: https://www.facebook.com/ApesMovies
TWITTER: https://twitter.com/ApesMovies
INSTAGRAM: https://www.instagram.com/ApesMovies/

#WarForThePlanet

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BilalActor2

Pixel-Perfect BILAL Screened at Cannes 69th & Took a Few Years, 22 Countries to Create

SCREENMANCER ANIMATION ALERT: Recently Dubai’s first-ever CGI animation, BILAL, screened at the 69th Cannes International Film Festival, which featured an Animation Night on May 18. But the story behind BILAL, a 1400-year-old animated saga, is even more notable. The cast includes excellent actors Adewale Akinnuoye-Agbaje (who played the yacht assassination target for Matt Damon in BOURNE IDENTITY), and Ian McShane from HBO’s “Game of Thrones” TV series, also PIRATES OF THE CARIBBEANBilalActor2BILAL had a sneak preview five months ago at the 3rd Ajyal Youth Festival, presented by the Doha Film Institute, in Doha, Qatar. This pixel-perfect, Disney-quality animation is said to have culled resources from 22 countries, tapping 327 creatives, in collaboration to complete on a budget of $30 M USD. Eponymous main character Bilal is actually based on a historic figure, a revered warrior, named Bilal bin Rabah. And who was he? “One of the most trusted companions of the Prophet Mohammed,” according to exhaustive research done by the film’s makers via Saudi-informed “forensic historians.”

What makes this film interesting is that you don’t necessarily have to know the backstory to appreciate the master-level craftsmanship on the CGI in BILAL. In fact, this project pays off the promise that ‘reality begins at 80 million polygons’ as coined by animation forefather Alvy Ray Smith, and really brings home the notion that this technology now has a life of its own as this fantastic tool available all over the world for people to tell make epic explorations.

When you watch this film, you see top drawer animation with a sincere message of “faith, hope and self-discovery inspired by the real life story,” as described by the filmmakers.

To quote them directly, “Director/producer Ayman Jamal said when casting the voice talent for the main characters they targeted the US because they wanted the actor playing Bilal ‘to be able to give an English and African accent and to convey the epic sense of the story inspired by real events that happened 1400 years ago.’” bilalarrow2American actor Jacob Latimore is teenage BILAL. According to Kidzworld, a portal for young actors, this Milwaukee native grew up with a love of Motown and singular gifts as a musician early on with a hit called “Superstar.” Which means he has the perfect voice control as a voice actor, not to mention his credits include roles in 2014’s RIDE ALONG (Kevin Hart, Ice Cube) and THE MAZE RUNNER, as well as a 2010 credit for VANISHING ON 7TH STREET. Over the course of this spirited and engaging film, Bilal’s character will age from 6 to 60 years old, and the intricate animation’s high-dollar production values make it a pleasure to sit through.

This is a multi-talent collaboration, as mentioned, with clever choices such as Atil Örvarsson, a composer from Iceland, to do the music. Örvarsson said he tried to “combine the archaelogical, historical nature of the story and make it accessible for an international audience. We used old instruments from the region and combined it with modern electronically synthesised music, we created themes for some of the characters and created a unique, other worldly sound for the witch doctor.”

Project point-person Jamal nailed the complexity of producing a movie of this scope in CGI, especially when the Dubai creative climate is more familiar with shorter projects. “The industry here is based on short movies and originally we wanted to work with an animation studio but we found there was no animation or CGI studio in the MENA region so we had to start the studio ourselves to make BILAL and that’s how we established Dubai-based Barajoun Studios.” BilalHugThe film itself was funded by individual investors from the Gulf Region, including Saudi Arabia with the Doha Film Institute. Expect BILAL to be on the radar this year, as Variety, Indiewire, Cartoon Brew, and Animation News have all tracked its progress thus far. Let’s hope this film has the harmonizing effect as intended, because the animation is truly pixel-perfect. Find out more about BILAL here, and watch for it to screen near you soon.

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