Karen Black FeFF 2009_2

Leslie-Ann Coles Will Make You Think About The Female Eye… Festival Too

by Quendrith Johnson, Los Angeles Correspondent

Well, how many times have we heard it? “Ladies and Gentlemen,” even that phrase grates because it’s loaded from a, take a guess? Male perspective. And this is where Leslie-Ann Coles founder of The Female Eye Festival comes into sharp focus. FeFF Award WinnersFor the festival’s 15th anniversary, which opened yesterday in Toronto and runs through June 25, Coles may just be telling us what we need to hear right now. Listen up, since no one else seems to be championing story, sans capes, and what women are doing in film right now. What about Patty Jenkins and her big bang box office Wonder Woman, you ask?

“I think it is fantastic and great for all women directors. I just find it interesting that the Bigelow won for The Hurt Locker – which is a film that dealt with war — from a more personal perspective, and now we have a wonderful director with a superhero flick — again it’s an action movie,” Coles explains. “I always think about all the great films that the world has seen over the years that have often fallen under the radar of public and critical acclaim.”LA Coles Founder & Director 2016

Leslie-Ann Coles, in front of last year’s mural.

“I was always kind of interested in the (mostly male superhero) genre,” how women behind the lens see things differently, Female Eye’s tireless champion adds. “Part of the hoopla is that a women directed this,” Wonder Woman. It’s in the genre “of bastion the old boys club.”

“I was thinking also about public and industry. The general public, I don’t know how much they pay attention to who directed a film. Do they look at the poster and wonder who the director is? I don’t think the general public thinks [for example] ‘it stars Charlize Theron, wow, who is the director?’”

If you ask ‘what about women driving the box office behind a Billion Dollar Beauty & The Beast?’ “I think women buy tickets and they make a lot of decisions — maybe I’m wrong about that. This is all great… There is a film we are showing this year that we are all floored by  — we don’t often see a 74 year-old actor out of New York — the title is ‘Can Hilter Happen Here.’”Round Table Discussions 2016

As far as the full slate for the 15th Female Eye Festival, “there are some other films, documentaries, where I’ve been astonished how the women who create these films survive the front lines to get the story.  You’ll be taken aback by their work and their stories.”

The only requirement for participating films is obvious, Coles notes. Films are curated “very much with the caveat that they have to be directed by a woman.”

“There are many film festivals in the world. We have been around for 15 years, but we stand firmly behind the women in the director’s chair. I think it’s important to stand behind that.”

“Somebody asked me the other day, ‘do you think it’s important still?,’” and Coles points to the dismal stats on women at the helm of bigger budget films not just in Hollywood, but around the world.

What women have to say, it turns out, is a very different statement about the age-old entanglement of perpetual seat-filler plot-devices: Sex and Violence, she notes.Directors 2016

A film came out of New York one year that blew the viewer panels away, “Virgin” (2003). “That film was co-executive produced by Robin Wright Penn and starred Elizabeth Moss.” There was a real possibility that no one would distribute this project, so, Female Eye made sure to give it screen time. That director, Deborah Kampmeier, is out of New York.

“There was a rape of lead actress — perpetrator rapes her,” then Moss has to deal with “the man who impregnated her.”

“What struck me is that women tend to treat sex and violence very differently. Nothing is gratuitous. It’s often what [audiences] don’t see with explicit violence or sex.” The director “has come back to us with Split, Houndog — I’m a big fan of her work. She’s really underrated as a director, she is an important director, she created some, creates some great films, there have been so many.”

Karen Black FeFF 2009_2Karen Black is a past honoree.

“Nancy Savoca (Dogfight, If These Walls Could Talk) is another one; she shot a film in one apartment, one location on a micro budget,” Coles recalls.

As for her personal journey from dancer to actor to filmmaker to Festival Director? (See her bio on http://www.imdb.com/name/nm0171320/)

“I have a documentary; it has taken me eight years to finish it. Documentary about early music journalism from 1965 to 1975 from a classic black and white archive. The photographer shot for Melody Maker magazine the forerunner to Rolling Stone.

“It’s a great story when there were no rock’n’roll photographers.” This doc includes the photo “that redefined Syd Barrett (Pink Floyd) great photograph… he’d locked himself in the bathroom. They went into the bathroom and spent time locked in the bathroom with Syd Barrett — there’s this photograph half in shadow and half in light — a session with Jimi Hendrix two weeks before he died in his manager’s office. Keith Moon (The Who) — stunts that went awry — these guys had incredible access. in the mid 1970’s punk came in and didn’t respect the old guard. The World changed then.”

Now the world has changed again, from mass public shootings, war-mongering around the globe like never before to psychotic drum-banging in world politics, and maybe that’s why movies told from a female perspective are an important counterbalance. In any case, the 15th Female Eye Festival takes place this week. Visit the filmmakers and their bios on display, as well as slate and schedule, at 15th Annual Female Eye Film Festival, June 20th – 25th, 2017 #FeFF2017

 

SNAPSHOT from FeFF

The FeFF celebrates the 15th Anniversary edition June 2017!

At our milestone 15th anniversary in 2017, FeFF will present an eclectic variety shorts and features in all genres from across North American including a curated shorts program from Ireland entitled, “Irish Women’s Stories” along with a selection of independent films from France, Israel, Germany, Finland, Poland, Russia, Australia, UK and Asia… just to name a few foreign delegations. We are delighted to announce in 2017, 2016, 2015, 2014, 2013 the Female Eye ranked one of the world’s “Top 50 Film Festivals Worthy of the Entry Fee” by the renowned Movie Maker Magazine (Santa Monica, California). 

 Founder / Artistic and Executive Director Leslie – Ann Coles conceived the Female Eye Film Festival in 2001 having observing that women directors were a minority among filmmakers at the international film festivals she attended with her debut film, “In The Refrigerator.” In 2001, the Female Eye Film Festival (FeFF) was established and incorporated as a provincial not-for-profit organization in Toronto, Canada. In 2002, the Female Eye presented 42 films in its inaugural year; 70% of the participants were local Toronto directors. (Read more here...)

[Coles new documentary is MELODY MAKERS

http://www.melodymakersmovie.com/

https://www.facebook.com/MelodyMakersthemovie/

@melodymakersmov

“Always Honest, Not Always Pretty” www.FemaleEyeFilmFestival.com

2017, The Female Eye voted worlds “Top 50 Festivals Worth the Entry Fee” for five consecutive years (2013-2017) by Movie Maker Magazine

“The lack of gender equity in filmmaking [and in other arts] is perhaps a self-sustaining cycle. Movies shape the way that people see the world and by extension, the way that people see women.” – Odessa Kelebay

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Pulitzer1sht17

Why #Covfefe & Trump’s Media Trounce Irks: The Pulitzer at 100

by Quendrith Johnson, Los Angeles Correspondent

When most of us caught the Presidential Tweet in late May that included a fake word, #covfefe, that has become the American Typo Heard Around the World, it really mattered that this misspelled rant was aimed at the media.TrumpTwt17 The 45th President of the United States was, as they say in street fights, ripping all newsrooms a new one. And Mr. Trump has literally gone to town on what he, @realdonaldtrump, and his Trump Administration call their enemy a/k/a the Media. He doesn’t see it as an Us and Them, he sees it as a USA and Them, as if being a journalist is de facto unpatriotic. Well, look no further than a great documentary to realign the universe of writers, writing, journalism, and The Pulitzer Prize. Even Martin Scorsese weighs in on stories we tell as journalists, scribes, and poets in Oscar-winning director Kirk Simon’s “The Pulitzer at 100,” which opens July 21 at Lincoln Plaza Cinema in New York City.

Ironically, one could say that the Leader of The Free World paying attention to the printed word and its creators is high praise — if you approach it from the ‘any publicity is good publicity’ angle. But unfortunately, this is not the case. President Trump has really blown a hole in the Fourth Estate, as if he’d been given a gold-plated wrecking ball with a Presidential Seal on it. It’s not just that he misunderstands journalism as a form of public relations; it’s not just that he singles out individual reporters like criminals in a briefing; it’s that we let him get away with it.Pulitzer1sht17

Why We Can’t Let The Press Get Beaten Up Anymore…

“The Pulitzer at 100” features hot button stories like an insider look into the lid-lifting Secret Service prostitution exposé, and the woman who was the little girl in that iconic Vietnam era napalm photo, but it also includes John Lithgow reciting Robert Frost. If Tracy K. Smith, the 2012 Pulitzer prize recipient for Poetry, doesn’t cut you to your knees just in one verse, check your pulse. “A poem invites conflation” between the writer and the reader, she tell us; and there’s Helen Mirren, Liev Schreiber reading some literary winners of the prize, breathtaking.

But back to journalism. Do we and our President even know why it is called The Fourth Estate and what it means? Quoting Stanford University’s “Journalism in the Digital Age” here:

“Journalism has long been regarded as an important force in government, so vital to the functioning of a democracy that it has been portrayed as an integral component of democracy itself. In 1841, Thomas Carlyle wrote, “Burke said there were Three Estates in Parliament; but, in the Reporters’ Gallery yonder, there sat a Fourth Estate more important far than they all” (On Heroes and Hero Worship). Four years earlier, Carlyle had used the phrase in his French Revolution: “A Fourth Estate, of Able Editors, springs up, increases and multiplies; irrepressible, incalculable.” Carlyle saw the press as instrumental to the birth and growth of democracy, spreading facts and opinions and sparking revolution against tyranny.”Pul17

You don’t need to know this to watch “The Pulitzer at 100,” but it helps. From the press notes, “There are more than a thousand recipients of this prestigious award including journalists, novelists, poets, musicians and photographers and this film has been made from the most valuable of resources, the artists themselves, many of whom are featured in The Pulitzer at 100.”

A short list includes:

Carl Bernstein, The Washington Post, Pulitzer Prize for Public Service, 1973
Thomas Friedman, Pulitzer Prize International Reporting & Affairs,1983,1988 & 2002
Martin Baron, Editor of The Washington Post, Pulitzer Prize for Public Service, National Reporting and Explanatory Journalism, 2014, 2015 & 2016
Robert Caro, Pulitzer Prize for Biography, 1975 & 2003
David Remnick, Editor-in-Chief The New Yorker, Pulitzer Prize for General Nonfiction, 1994
Sheri Fink, Pulitzer Winner for Investigative Reporting, 2010 & 2015
Nicholas Kristof, Pulitzer Prize, International Reporting and Commentary, 1990 & 2006
Carol Leonnig, Pulitzer Prize for Public Service and National Reporting, 2014 & 2015
Tracy K. Smith, author of Life on Mars, Pulitzer Prize for Poetry, 2012
Michael Cunningham, author of The Hours, Pulitzer Prize for Fiction, 1999
Paula Vogel, writer of How I Learned To Drive, Pulitzer Prize for Drama, 1998
Junot Díaz, author of The Brief Wondrous Life of Oscar Wao, Pulitzer Prize, Fiction, 2008
Wynton Marsalis, Pulitzer Prize for Music, 1997
John Adams, Pulitzer Prize for Music, 2003
Nick Ut, Pulitzer Prize for Breaking News Photography, 1973

Who Was This Immigrant Named Pulitzer?

“At the end of the Civil War,” this documentary tells us, Joseph Pulitzer a penniless Hungarian vagrant, sleeps on benches in New York, then moves to St. Louis, and the rest is history in broken English, shall we say. Typos matter, words matter, our Democracy matters. We matter as reader-citizens, writer-citizens, audience and actors in this American Experiment.NewsPul17

So the next time you watch a Presidential Press Briefing where journalists take a beating for protecting your right to ask questions as a citizen, remember who Joseph Pulitzer was, and why he matters.

Quoting “Journalism in the Digital Age” from Stanford again, which is not part of the documentary, for reference, just read along to see why this film and your opinion about the “media” matters:

“The fact of the matter is that democracy requires informed citizens. No governing body can be expected to operate well without knowledge of the issues on which it is to rule, and rule by the people entails that the people should be informed. In a representative democracy, the role of the press is twofold: it both informs citizens and sets up a feedback loop between the government and voters. The press makes the actions of the government known to the public, and voters who disapprove of current trends in policy can take corrective action in the next election. Without the press, the feedback loop is broken and the government is no longer accountable to the people. The press is therefore of the utmost importance in a representative democracy.”PulStmp17

Plus there’s Natalie Portman reading the work of Jorie Graham, 1996 Pulitzer winner, such “nimble armor” language.

THE PULITZER AT 100 – First Run Features Notes

Kirk Simon is an Oscar and Emmy-winning producer and director of documentary films for more than 30 years. In addition to winning an Academy Award for the HBO short documentary Strangers No More, he has also been nominated three other times, and won the duPont-Columbia Silver Baton.  His films have had national broadcasts on PBS, HBO and MTV.

Highlights in his oeuvre include the Emmy-winning Masterclass, an HBO series in which great artists mentor high school students; also for HBO, he was responsible for numerous programs including the 14-part series Kindergarten, which continues to be broadcast each morning on HBO Family. Mr. Simon’s first film for HBO was Chimps: So Like Us with Dr. Jane Goodall, which required Mr. Simon to sleep in a tent on the shore of Lake Tanganyika for three weeks to make this Oscar nominated and Emmy-winning program. He was also responsible for the award-winning series Coming Out Stories on MTV’s LOGO that portrayed the emotional process of coming out in the LGBT community. Entertainment Weekly wrote, “this touching series marks a high point for the network.”

For PBS, Simon has produced and/or directed programs for American Masters, American Playhouse, American Experience, Masterpiece Theater and The National Geographic.  For American Masters, Mr. Simon produced the Emmy-nominated Buckminster Fuller: Thinking Out Loud in 1996 and the Oscar-nominated biography of Isaac Bashevis Singer in 1986. For National Geographic, shows produced and directed by Mr. Simon include both Cairo Unveiled and Incredible Human Body. Simon is a member of the Academy of Motion Picture Arts and Sciences, the Writer’s Guild of America, the Academy of Television Arts and Sciences, and the Producer’s Guild of America.

Credits

Produced and Directed by Kirk Simon
Co-Produced by Ron Simon
Executive Producers: Nikkos J. Frangos and George T. Lemos
Edited by Emily Williams
Director of Photography: Buddy Squires, ASC
Music by Wendy Blackstone
Run Time –  91 min
Language – English
Format – Digital
Year – 2017
Genre – Documentary

Visit: http://www.thepulitzerat100.com

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AtomicBlonde1sht

Charlize Theron Should Definitely Add ATOMIC BLONDE To Her Dating Profile

by Quendrith Johnson, Los Angeles Correspondent

We already know from THE ITALIAN JOB and MAD MAX: FURY ROAD that South African bombshell Charlize Theron can drive the hell out of any vehicle, even with deranged bikers in tow. Now Imperator Furiosa can add a few more skills to her dating profile with Universal’s July 28 release ATOMIC BLONDE. This movie is based on the Oni Press Graphic Novel Series “The Coldest City,” written by Antony Johnston and illustrated by Sam Hart. Theron is also a producer on Atomic. Plus it has wily Toby Jones being creepy and John Goodman playing it tough.CharlizeActAB17That line “You don’t need a man, you need a champion*” applies to the female lead here. Note that Charlize can do things with a high heel that few dare dream to do, and still be a golden-hued spokesmodel for iconic French perfume Dior.CharlDior17
You’ll recall her Oscar-winning performance as a serial killer in MONSTER (2003) the minute you watch this trailer for what looks to be a new wild entry in this Transvaal native’s career. The official description follows below from Universal, but just take in the clip without context first, to see how talented and physically powerful this Queen from The Huntsman can be. TheronMcAvoyAB17After all, in Mad Max, she even made super toughie Tom Hardy look a little frightened. Here she makes James McAvoy consider his options. What a date night movie this will be.

From Universal Pictures, Bows July 28

Oscar® winner Charlize Theron explodes into summer in Atomic Blonde, a breakneck action-thriller that follows MI6’s most lethal assassin through a ticking time bomb of a city simmering with revolution and double-crossing hives of traitors.  

The crown jewel of Her Majesty’s Secret Intelligence Service, Agent Lorraine Broughton (Theron) is equal parts spycraft, sensuality and savagery, willing to deploy any of her skills to stay alive on her impossible mission.  Sent alone into Berlin to deliver a priceless dossier out of the destabilized city, she partners with embedded station chief David Percival (James McAvoy) to navigate her way through the deadliest game of spies.  

A blistering blend of sleek action, gritty sexuality and dazzling style, Atomic Blonde is directed by David Leitch (John Wick, upcoming Deadpool 2).  Also starring John Goodman, Til Schweiger, Eddie Marsan, Sofia Boutella and Toby Jones, the film is based on the Oni Press graphic novel series “The Coldest City,” by Antony Johnston & illustrator Sam Hart.  Kurt Johnstad (300) wrote the screenplay.CharlizeAB17Cast: Charlize Theron, James McAvoy, John Goodman, Til Schweiger, Eddie Marsan, Sofia Boutella and Toby Jones
Directed by: David Leitch
Screenplay by: Kurt Johnstad
AtomicBlonde1sht
Produced by: Charlize Theron, Beth Kono, A.J. Dix, Kelly McCormick, Eric Gitter, Peter Schwerin
Executive Producers: Nick Meyer, Marc Schaberg, Joe Nozemack,
Steven V. Scavelli, Ethan Smith, David Guillod, Kurt Johnstad

Official website here. Opens July 28. See it then.

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STARWARS17

What Happens When Fans Watch THE LAST JEDI Trailer: They Go Wild, So Will You

by Quendrith Johnson, Los Angeles Correspondent

Ever since STAR WARS time immemorial, or 1977, depending on how tuned-in to George Lucas’ space saga you are, there’s been one constant: a massive fan base. In fact, stealing from the tech world, you could even say “all your fan base are belong to us.”
Us being George’s LucasFilm LtdKathleen Kennedy his key producer, and every single actor who’s been on board, from Harrison Ford to Daisy Ridley through four generations now.
Why is STAR WARS so huge? Because it resides at the intersection of Space and Nerd, and serves to legitimize the longing we all have to believe that the night skies hold something other than floating super-hot rocks and dead asteroids.

And there’s a bunch of cool robots saying snarky things, with R2D2 homaging the Marx Bros’ Harpo in space with his whistles.

R2D2 Is Harpo Marx in Space!

R2D2 Is Harpo Marx in Space!

Or maybe it’s just because we grew up with this franchise, all of us. Call it the wishful thinking of terrestrial folks to join the galactic ranks, or just a perfect form of escapism in the CGI era, whatever it is about this franchise, super fans can’t get enough even though this isn’t set to launch until 12/15.
Now you can join them in a first-look at THE LAST JEDI trailer from yesterday, April 14, in Orlando, Florida, at the 40th STAR WARS CELEBRATION.
Behold… seated in a theater, far, far, away… you are transported there…

The party also included surprise moderator and Star Wars superfan Josh Gad, fans in attendance were treated to an exciting look at the next episode in the Saga for the first time, as you just saw. Gad was then  joined on stage by Kathleen Kennedy, director Rian Johnson, Daisy Ridley, John Boyega, Mark Hamill, BB-8 and making her first appearance on the Celebration stage, Kelly Marie Tran.STARWARS17

Trailer courtesy of STAR WARS: THE LAST JEDI Celebration.

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QueenShot17

Vintage Bowie, Iggy, Blondie, Syd Barrett in SHOT, Doc on Mick Rock OnDemand Now

by Screenmancer Staff

We usually don’t cover OnDemand, but SHOT! THE PSYCHO-SPIRTUAL MANTRA OF ROCK also opened in theaters on April 7, so this isn’t a stretch. SHOT is a voyeurist’s dream/viewfinder brought to you through the eyes of one Mick Rock.

Ziggy Also Ate Bananas...

Ziggy Also Ate Bananas…

Who is Mick Rock? Hyperbole from the press kit sets the perfect tone for “a deep look into the mind of one of rock’s greatest living photographers: Mick Rock.”
“Rock’s work with some of the most accomplished personalities of the past forty years – David Bowie, Queen, Blondie, Lou Reed and Iggy Pop – created many of the images that would come to define them.”BowieIggyLou17“Presented in his own words, Rock takes us through his journey from the glam rock shimmer of London, through the snarl of NYC punk and into the new millennium, combining a portrait of the man who did the work, with a look at what the work did to the man.”SHOT1sheet17
Directed by Barnaby Clay, and featuring Mick Rock himself, “this film reveals an enigmatic Rock and his adventurous life both behind the camera and as an integral member of the artist’s entourage working with and shaping some of the most outrageous, recognized and accomplished musicians and personalities of the past forty years.”QueenShot17“An icon-maker, and icon in his own right, Rock is among a very few photographers who himself is photographed walking red carpets in Los Angeles, London, New York and around the globe.”

Blondie Is Still Bitchin'

Blondie Is Still Bitchin’

Thank you, Magnolia Pictures for that hyphen-free magnificent description of what looks to be, from the photos they gave us, a killer look back at 70’s, 80’s wild club life.

MickRockSht17
Magnolia Pictures released SHOT! THE PSYCHO-SPIRITUAL MANTRA OF ROCK in theaters on April 7, as mentioned, but it’s now OnDemand, on Amazon Video and iTunes.
91 Minutes

Download the poster:
http://bit.ly/2mcI59V

For More Info:
Official Site | Twitter = #MickRockFilm

Remember, it’s only rock’n’roll, but you like it, yes you do.

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TomSked17

Greenstrikes Over Airstrikes? Watch TOMORROW, the Documentary, to Find Out How

by Screenmancer Staff

What if you could change the world by watching a movie? Okay, what if you could change your way of living by watching TOMORROW today?  This isn’t hippie mumbo-jumbo, it’s a striking new French documentary that offers an alternative to the global pharma Frankenfood reality, where Bayer just bought Monsanto in September of 2016, and farmers in India are reported to live in peril due to GMO regs, high fees for seeds, and more. Demain17And thus their peril spreads to the world food supply, in an unnatural gene editing mosaic that has been grafted onto our worldwide food basket. But that’s only one topic. This documentary also tackles, the economy, education, and who we are as consumers in a recyclable system.

Watch and see what you can do after rethinking TOMORROW.

Tomorrow – Trailer from Under The Milky Way on Vimeo.

The Film’s Official Mission Statement, Their Caps!

TODAY, we sometimes feel powerless in front of the various crises of our times. TODAY, we know that answers lie in a wide mobilization of the human race. Over the course of a century, our dream of progress commonly called “the American Dream”, fundamentally changed
the way we live and continues to inspire many developing countries. We are now aware of the set-backs and limits of such development policies. We urgently need to focus our efforts on changing our dreams before something irreversible happens to our planet. TODAY, we need a new direction, objective… A new dream! The documentary Tomorrow sets out to showcase alternative and creative ways of viewing agriculture, economics, energy and education. It offers constructive solutions to act on a local level to make a difference on a global level. So far, no other documentary has gone down such an optimistic road…
TOMORROW is not just a film, it is the beginning of a movement seeking to encourage local communities around the world to change the way they live for the sake of our planet. Start small to grow big, and write a new story for the generations to come.

Here’s The Story, Dates, Venues

Popular French actress Mélanie Laurent (Inglorious Basterds) and activist Cyril Dion’s César Award-winning environmentally-themed documentary Tomorrow (Demain) will open theatrically in San Francisco on April 14 and then in New York, Los Angeles and other markets on April 21 – to coincide with Earth Day celebrations on April 22.
In 2012, “Nature” published a study led by more than 20 researchers from the top scientific institutions in the world predicting that humankind could disappear between 2040 and 2100.
It also said that it could be avoided by drastically changing our way of life and take appropriate measures.
Shortly after giving birth to her first child, French actress and director Mélanie Laurent became increasingly aware of the dangers and the state of urgency that her son will face in the future. Along with friend and activist Cyril Dion and their crew, she decided to travel the world in search of solutions that can help save the next generations. The result is Tomorrow, an inspiring documentary that presents concrete solutions implemented throughout the world by hundred of communities.
From the US to the UK and through Finland and India, together they traveled to 10 countries to visit permaculture farms, urban agriculture projects and community-owned renewable initiatives to highlight people making a difference in the fields of food, energy, finance, democracy, and education.
Their common ideas and examples make Tomorrow one of the most essential and unexpectedly inspirational viewing experiences of our time.

Support Your Local Filmmaker, Farmer, Friend + Be The Change = Greenstrikes
________
UNDER THE MILKY WAY PRESENTS

TOMORROW (DEMAIN)
CO-DIRECTORS: MÉLANIE LAURENT & CYRIL DION
WRITER: CYRIL DION
NARRATORS: MÉLANIE LAURENT & CYRIL DION
120 minutes- DOCUMENTARY- FRANCE –In English (With some subtitles)
WINNER: Best Documentary Feature -César Awards 2016, Best Documentary- COLCOA French Film Festival (Los Angeles)
Opens in New York (Village East) and Los Angeles (Laemmle Music Hall) on Friday, April 21 with a national release to follow.
Get Familiar With UNDER THE MILKY WAY Now!
A Digital Distributor with 13 offices around the world, Under The Milky Way has steadily acquired a slate of critically acclaimed foreign gems for theatrical release in the US. Their most recent acquisitions include Un Certain Regard favorite The Student from Russia, French thriller Made in France, indie rom-com Swim Little Fish Swim and French comedy What’s in a Name?

TOMORROW Credits
Co-Directors
MELANIE LAURENT & CYRIL DION
Writer
CYRIL DION
Producer
BRUNO LEVY
Director of Photography
ALEXANDRE LEGLISE
Production Manager
SYLVIE PEYRE
Sound
LAURENT CERCLEUX
Narrators
MELANIE LAURENT & CYRIL DION
US Distribution
UNDER THE MILKY WAY
120m- DOCUMENTARY- FRANCE

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MikeArrivesTCM17

Michael Douglas Got Booted & Suited Up for TCM 2017, Like You Were There

by Quendrith Johnson, Los Angeles Correspondent

While he has nothing on the elder Douglas, Golden Era Legend Kirk Douglas at almost 101 years old, TCM celebrated the life and career of Hollywood youngster Michael Douglas during a taping of “Live From the TCM Classic Film Festival” on April 8 at the famous Montalban Theatre during the eighth annual festival. MichaelD17

Host Ben Mankiewicz said beforehand, “Michael Douglas has been part of our collective Hollywood consciousness his entire life. From chasing bad guys through the streets of San Francisco to playing an iconic bad guy in Gordon Gekko, Michael has stayed not only relevant, but vital. To say that I’m looking forward to discussing the career of an actor who played Liberace 38 years after producing One Flew Over the Cuckoo’s Nest is a huge understatement.”

Mike3shotTCM17
Just take a scroll through these absolutely iconic Michael Douglas portraits and think back on the guy behind the red rows of seats in A CHORUS LINE, and all the other movie credits on this legendary resume, being the life’s work of Michael Douglas, to date of course. MikeArrivesTCM17Like the old man, he will likely last a century, hopefully. Congratulations to the actor, producer, director, and Academy, as well as audience, favorite Michael Douglas.MikeFitting17

There’s great footage of their chat on TCM’s website, but we’ve got these photos — truly works of art — that really set the tone for a classic time had by all at the recent Turner gala celebration. MikeShowTCM17

You’ll learn more about that from TCM’s post-dated official news announcement below.

MikeTCMExec17Left to right: Charlie Tabesh, Senior Vice President Programming and Production; Turner Classic Movies; Pola Changnon, Senior Vice President, Creative, Brand and Marketing, Turner Classic Movies; Ben Mankiewicz. Host, Turner Classic Movies; Jennifer Dorian, General Manger, Turner Classic Movies; Michael Douglas; Genevieve McGillicuddy, Director, TCM Classic Film Festival

Here’s Official Rundown from TCM

Turner Classic Movies (TCM) previously announced that legendary actor Michael Douglas would attend the 2017 TCM Classic Film Festival for a pair of major events. On April 8, Douglas sat down with TCM host Ben Mankiewicz for an in-depth interview about his career at the legendary The Ricardo Montalbán Theatre as part of the annual Live from the TCM Classic Film Festival series. In addition, the Oscar®-winning icon participated in a discussion following a screening of the 1979 thriller The China Syndrome, which he produced and starred in opposite Jane Fonda and Jack Lemmon.

TCM added screen legends and beloved icons to its impressive lineup for the 2017 TCM Classic Film Festival, which took place April 6 – April 9 in Hollywood, including:

·        Best in Show (2000) – cast members from Christopher Guest’s acclaimed mockumentary – Fred Willard, John Michael Higgins, Jim Piddock and Bob Balaban – were on hand to discuss the hilarious comedy about the eccentric characters competing at a national dog show.

·        Bob Newhart – the Golden Globe® and Emmy® winner was selected to introduce a screening of Hell Is For Heroes (1962).

·        John Landis, Jim Abrahams, David Zucker and Jerry Zucker – attended a 40th Anniversary screening of their irreverent sketch comedy The Kentucky Fried Movie (1977) and participated in a conversation about the film.

·        Dick Cavett –Emmy-winning television personality was set to introduce screenings of Monkey Business (1931), the first original film production from the Marx Brothers, Way Out West (1937) and sit down for a conversation in Club TCM.

In addition, the 2017 TCM Classic Film Festival presented a number of rare screening events that celebrate cinema’s ability to immerse viewers in the film experience, including:

·        Nitrate Films – this years festival showcased the history of cinema and highlight the institutions that work hard to protect original nitrate prints for contemporary audiences to experience, including Academy Film Archive, George Eastman Museum and the UCLA Film & Television Archive. Lineup included: Black Narcissus (1947), The Man Who Knew Too Much (1934), Laura (1944), and Lady in the Dark (1944) all shown at the Egyptian Theatre. Nitrate projection made possible through support of the Hollywood Foreign Press Association, Turner Classic Movies and The Film Foundation in partnership with the American Cinematheque and the Academy Film Archive.

·        Cinerama – a screeing of the very first film made for the ultra-widescreen process – the aptly titled This is Cinerama (1952) – in its original format presented at ArcLight Cinemas’ Cinerama Dome.

·        Speedy Accompanied by the Alloy Orchestra – a screening of the Harold Lloyd comedy Speedy (1928), with original music by the famed Alloy Orchestra.

·        Those Redheads from Seattle in 3D – the world-premiere restoration of the rarely-seen musical Those Redheads from Seattle (1953), presented in its original 3D format.

Previously announced events and appearances include Oscar® winner Sidney Poitier for the 50th anniversary opening-night screening of In the Heat of the Night (1967); Mel Brooks for the 40th anniversary screening of his Hitchcock spoof High Anxiety (1977); actress Lee Grant for screenings of Detective Story (1951) and The Landlord (1970); and actor-director Peter Bogdanovich for screenings of The Last Picture Show (1971) and What’s Up, Doc? (1972). Grant and Bogdanovich were interviewed in the Festival’s central gathering point, Club TCM. And legendary father and son filmmakers Carl Reiner and Rob Reiner were honored with a hand and footprint ceremony at the TCL Chinese Theater IMAX®.

Complete bios for each of the artists appearing at the 2017 TCM Classic Film Festival and for film descriptions, please visit the festival’s website: filmfestival.tcm.com

The 411 on 2017 TCM Classic Film Festival

For the eighth consecutive year, thousands of movie lovers from around the globe descended upon Hollywood for the TCM Classic Film Festival. The 2017 festival that took place Thursday, April 6 – Sunday, April 9, 2017. Over four packed days and nights, attendees were treated to an extensive lineup of great movies, appearances by legendary stars and filmmakers, fascinating presentations and panel discussions, special events and more.

TCM host Ben Mankiewicz served as official host of the TCM Classic Film Festival, with TCM’s Tiffany Vazquez introducing various events. The festival’s official hotel and central gathering point for the eighth consecutive year was The Hollywood Roosevelt Hotel, which has a longstanding role in movie history and was the site of the first Academy Awards® ceremony. Screenings and events during the festival were held at the TCL Chinese Theatre IMAX, the TCL Chinese 6 Theatres and the Egyptian Theatre, as well as other Hollywood venues.

This year’s festival theme? Make ‘Em Laugh: Comedy In The Movies. From lowbrow to high, slapstick to sophisticated comedies of manners, the 2017 TCM Classic Film Festival showcased the greatest cinematic achievements of lone clowns, comedic duos and madcap ensembles.

Why We Love Turner Classic Movies (TCM)

Turner Classic Movies (TCM) is a two-time Peabody Award-winning network that presents great films, uncut and commercial-free, from the largest film libraries in the world highlighting the entire spectrum of film history. TCM features the insights from Primetime host Ben Mankiewicz and Saturday daytime host Tiffany Vazquez, plus interviews with a wide range of special guests and serves as the ultimate movie lover destination. Currently in its 22nd year as a leading authority in classic film, TCM offers critically acclaimed series like The Essentials, along with annual programming events like 31 Days of Oscar® in February and Summer Under the Stars in August. TCM also directly connects with movie fans through events as the annual TCM Classic Film Festival in Hollywood and the TCM Classic Cruise, as well as through the TCM Classic Film Tour in New York City and Los Angeles. In addition, TCM produces a wide range of media about classic film, including books and DVDs, and hosts a wealth of material online at tcm.com and through the Watch TCM mobile app.

TCM is a division of Turner, a Time Warner company, Turner creates and programs branded news, entertainment, sports, animation and young adult multi-platform content for consumers around the world. Turner brands and businesses include CNN/U.S., HLN, CNN International and CNN.com, TBS, TNT, TCM, truTV, Cartoon Network, Boomerang, Adult Swim, Turner Sports, Bleacher Report, FilmStruck, Super Deluxe, iStreamPlanet and ELEAGUE.

Connect with TCM for Next Year’s TCM Event & Right Now via App on iOS and Android
Website: www.tcm.com

Facebook: www.facebook.com/tcmtv
Twitter: twitter.com/tcm | twitter.com/tcmpr
TCM Store: shop.tcm.com

Download TCM app to watch now; available for iOS and Android Platforms (Google Play).

Bonus Feature – Graphiq Visualization of Michael Douglas Movies

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LeoAcademyMeme

Academy Goes 70mm INTERSTELLAR: Nolan’s Nod to Librarians, Yes, Film Librarians

by Quendrith Johnson, Los Angeles Correspondent

When the Academy gets something wrong, well, over a billion people remember. Even if it really only happened once, during the live telecast for Oscars 2017. While we can’t erase the past, we can preserve Oscar 89 as a moment in time insofar as even this year marked an important once-in-a-lifetime snafu in Hollywood history. Next time, we may hear the phrase “The Other Envelope, Please.”

The Academy Is Back, Folks

Time to get over all that, because AMPAS is back to its old glory this month. Beginning April 26 through May 1, The Academy of Motion Picture Arts and Sciences will host public screenings in support of the 2017 Film Librarians Conference and International Federation of Film Archives (FIAF). Yes, they even tapped genius director Chris Nolan to host a 70 MM version of his space epic INTERSTELLAR.NolanFIFA17 Plus there’s Spanish-language vintage cinema classics too, hosted by director Daisy von Scherler Mayer and Actor Guillermo Díaz.

Events like these rare openings for the public should make us all remember how important the Academy is in highlighting film gems.

Here’s the official word from The Academy of Motion Picture Arts and Sciences…

Oscars2017

LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences announced special public programing, from April 26-May 1, in conjunction with the 2017 Film Librarians Conference – Documenting Cinema: Film Librarianship in the 21st Century and the 2017 FIAF Conference. Screenings will include a preview of the new documentary “Harold and Lillian: A Hollywood Love Story,” “Party Girl” in 35mm, a Spanish-language double feature, and “Interstellar” in 70mm with three-time Oscar® nominee Christopher Nolan.

What to Watch, When & Where:

2017 Film Librarians Conference – Documenting Cinema: Film Librarianship in the 21st Century

HAROLD & LILLIAN: A HOLLYWOOD LOVE STORY (2017)

Wednesday, April 26, 7:00 p.m. at the Linwood Dunn Theater

The inspiring love story between storyboard artist Harold Michelson and film research librarian Lillian Michelson spanned more than 60 years, during which they contributed to some of Hollywood’s most iconic examples of visual storytelling.

PARTY GIRL (1995)

Thursday, April 27, 2017, 7:30 p.m. at the Linwood Dunn Theater

Presented in 35mm. With Director Daisy von Scherler Mayer and Actor Guillermo Díaz

Mary, a NYC club girl with a distinct sense of fashion, begins working at a library after she gets busted for illegally charging admission to one of her parties. Bored with her new job, she soon discovers the joys of mastering the Dewey Decimal system and begins to realize becoming a librarian is her life’s calling.

International Federation of Film Archives (FIAF) Congress

Hollywood Goes Latin: Spanish-Language Cinema in Los Angeles (Double Feature)

¡ASEGURE A SU MUJER! (INSURE YOUR WIFE!) (1935)

CASTILLOS EN EL AIRE (CASTLES IN THE AIR) (1938)

Sunday, April 30, 7:30pm at the Linwood Dunn Theater

In the early days of sound cinema, Hollywood made an attempt to reach the Spanish-language market by producing movies in Spanish. Many of these films have been lost, and those that remain are rarely seen or studied. These two films are an excellent introduction to this fascinating period of early sound production in Hollywood. Presented by The 2017 FIAF Congress, the Academy and the UCLA Film & Television Archive. Both films are presented in Spanish with English subtitles.

INTERSTELLAR

Monday, May 1, 7:30pm at the Samuel Goldwyn Theater

Presented in 70mm with Director Christopher Nolan. In conjunction with The International Federation of Film Archives who has honored Nolan with their annual FIAF Award.

In the not-too-distant future when planet Earth has become nearly uninhabitable, a team of scientists must figure out a way to travel through space and time to alternate galaxies in order to save humanity. Nominated for five Oscars, and winning an Oscar for Visual Effects, “Interstellar” was directed by Christopher Nolan and written by Jonathan and Christopher Nolan.

Your ACADEMY

The Academy of Motion Picture Arts and Sciences is a global community of more than 7,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures, which is under construction in Los Angeles.

Follow ACADEMY on Social Media

www.oscars.org
www.facebook.com/TheAcademy
www.youtube.com/Oscars
www.twitter.com/TheAcademy

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TCRussOld17

Who’s Your MUMMY: Tom Cruise & Russell Crowe Bring Mummy Back

by Quendrith Johnson, Los Angeles Correspondent

Oh, admit it, the team of OG Box Office Ballers Tom Cruise and Russell Crowe in Universal’s new take on THE MUMMY slated for June 9 has definite possibilities, even if Russell Crowe is a wry scale-tipper these days, mostly divining water in indie films. TCRuss17Plus it’s an IMAX® hair-raiser.
Tom Cruise, or TC to friends, is such a hot-button actor for his off-screen activities that it’s almost like a Kevin Bacon game of interconnections, but mostly interstellar ones in TC’s case. At a certain point you just have to smile and remember it’s about the movies, not the man himself — although TC has an uncanny ability to pick winners in the storytelling category, even detractors can’t argue his bottom-line earnings.
That said, let’s give the boys a chance here because they’re bringing The Mummy storyline back as a female-driven ghoul show.
Not to ruin the plot, but hell hath no CGI-empire-smashing-fury like a chick who’s been buried for a very long time. In fact, this sexy crone isn’t just breaking a glass ceiling, she’s ripping the lid off major cities like London. All this with the power of two-pupil mind-control eyeballs, mind you.TCRussOld17
Girls just want to have fun, as the Cyndi Lauper lyric goes, unless of course they’re back from the undead and none-to-happy about their demise.
Watch the trailer here, full cast and credits below. Also, the no-subtext official description follows. Thinking they’ll top the BO worldwide with the Russell & TC show, baggage and love handles and all, lol, mostly because it’s a VR eyefest. Virtual Reality is the go-to these days to pull people off their gaming consoles and into the theaters.

Why You’re Going to Love THE MUMMY
Tom Cruise headlines a spectacular, all-new cinematic version of the legend that has fascinated cultures all over the world since the dawn of civilization: THE MUMMY.

Thought safely entombed in a tomb deep beneath the unforgiving desert, an ancient princess (Sofia Boutella of Kingsman: The Secret Service and Star Trek Beyond) whose destiny was unjustly taken from her is awakened in our current day, bringing with her malevolence grown over millennia and terrors that defy human comprehension.

From the sweeping sands of the Middle East through hidden labyrinths under modern-day London, The Mummy brings a surprising intensity and balance of wonder and thrills in an imaginative new take that ushers in a new world of gods and monsters.

Cruise is joined by a cast including Annabelle Wallis (upcoming King Arthur, television’s Peaky Blinders), Jake Johnson (Jurassic World), Courtney B. Vance (TV’s American Crime Story: The People V. O.J. Simpson) and Oscar® winner Russell Crowe (Gladiator).

The creative team on this action-adventure event is led by director/producer Alex Kurtzman and producer Chris Morgan, who have been instrumental in growing some of the most successful franchises of the past several years—with Kurtzman writing or producing entries in the Transformers, Star Trek and Mission: Impossible series, and Morgan being the narrative engineer of the Fast & Furious saga as it has experienced explosive growth from its third chapter on. Sean Daniel, who produced the most recent Mummy trilogy, produces alongside Kurtzman and Morgan. www.themummy.com

Mummy17Production Team = Positron and Voyager
Founded in 2014, Positron is a technology studio based in Los Angeles that delivers engineering magic.  The team includes mechatronics engineers, designers, software developers and artists who collaborate together to create VR experiences and products that have never been done before.  Voyager is the first full-motion chair platform designed for cinematic VR. Integrating beautiful design and high-end engineering, it reflects a passion for VR storytelling. Voyager delivers a completely new level of immersion in VR by providing a comfortable, fully integrated personal VR theater that incorporates gentle motorized yaw and pitch motion, haptic feedback (physical audio powered by Subpac), and specialized seating. Its unique software and hardware technology integration enables nuanced motion and haptic tracks to be encoded along the featured content’s visual and spatial audio tracks. The chair precisely guides the viewers’ attention to points of interest in the experience, while also allowing a viewer-controlled motion mode. Voyager units are available now for select theaters, hotels, concerts, and events that desire to provide a premium VR experience. For Voyager images please visit Positron Media.

THE MUMMY arrives in IMAX® and theaters nationwide on Friday, June 9, 2017. www.themummy.com

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Hiroyuki Sanada, Ryan Reynolds, Director Daniel Espinosa, Olga Dihovichnaya, Rebecca Ferguson, Ariyon Bakare  and Jake Gyllenhaal seen at Columbia Pictures World Premiere of "Life" the movie at SXSW 2017 on Saturday, March 18, 2017, in Austin, TX. (Photo by Eric Charbonneau/Invision for Sony Pictures/AP Images)

LIFE is Already Scary, Now It’s A Scarier Reynolds & Gyllenhaal Movie, Thanks

by Quendrith Johnson, Los Angeles Correspondent

What is it with ‘ripped from the alt-news headlines’ movie plots lately? KONG: SKULL ISLAND has a hollow earth slash reptilian b-story, even a CIA mind control “Monarch” reference on a briefcase. Now LIFE, starring Ryan Reynolds and Jake Gyllenhaal, has a waterborne microbe from Mars mass-extinction horror twist.

Ryan Reynolds and Jake Gyllenhaal seen at Columbia Pictures World Premiere of "Life" the movie at SXSW 2017 on Saturday, March 18, 2017, in Austin, TX. (Photo by Eric Charbonneau/Invision for Sony Pictures/AP Images)

Ryan Reynolds and Jake Gyllenhaal seen at Columbia Pictures World Premiere of “Life” the movie at SXSW 2017 on Saturday, March 18, 2017, in Austin, TX. [Photo by Eric Charbonneau/Invision for Sony Pictures/AP Images]

While scary stories about hostile life on Mars is a running theme since B-movies in the 50’s, this one has some actual science to back it up.

LIFE, directed by Daniel Espinosa, touts the fact that the producers and writers consulted with “astrobiologists and space medicine experts,” one of whom is Dr. Kevin Fong. “Space is an extreme environment, like any of the extreme environments we’ve attempted to conquer in the 20th century – deserts, polar ice caps, our highest mountains,” Fong explained. “What we know about extreme environments is that you can’t go there for long and it’s not without penalty. You come back literally less than the person you were.”

“It’s hard enough to stay alive up there on a routine mission when everything goes right.  When things start to go wrong, people start to die off pretty quickly.” These cheery words underscore his experience as an astrophysicist and MD who’s worked on NASA’s Human Adaptation and Countermeasures Office at Johnson Space Center in Houston, meaning he is a medical expert on keeping folks alive and kicking in space.

No offense to the astro-geniuses, but frankly movie stars can explain a movie better.

Cast and crew of "Life" seen at Columbia Pictures World Premiere of "Life" the movie at SXSW 2017 on Saturday, March 18, 2017, in Austin, TX. (Photo by Eric Charbonneau/Invision for Sony/AP Images)

Cast and crew of “Life” seen at Columbia Pictures World Premiere of “Life” the movie at SXSW 2017 on Saturday, March 18, 2017, in Austin, TX. (Photo by Eric Charbonneau/Invision for Sony/AP Images)

In typical Jake Gyllenhaal extreme-character mode, he plays International Space Station denizen David Jordan, who’s already clocked 473 days afloat in outer space. “It was a beautifully paced, terrifying script.  It’s a fun idea. You think you know where it’s going, and then it evolves into something where you really, really don’t,” he added. “The life form is literal, but it’s also an incredible metaphor for what can happen. Curiosity is one of the most important human traits, but I think searching too far can be full of hubris. In that way, the life form is a repercussion for that kind of curiosity.”

“My grandfather was a doctor,” Gyllenhaal shared, “and Daniel and I talked about the similarities in my character to my grandfather. It’s a bit of an homage to him.”

Next some newcomers join the freaky plot, and things get terrifying as a look for proof of life on Mars backfires. Naturally the movie includes a requisite CDC, Centers for Disease Control, rep. This one comes in the form of Rebecca Ferguson, as Miranda North. “Miranda is a microbiologist sent up to protect everyone on Earth from whatever this is that we find,” Ferguson explained.

Her character puts up some “firewalls” against extra-terrestrial contamination. “The firewall is, first, the container that the specimen was in.  And then the room.  And then the station itself.  She has to do whatever she can do to protect Earth, because we don’t know what this life form is.” No, it’s not a gimmicky ‘life form,’ either.

Producer Julie Lynn nailed it best on that front. “We didn’t want the life form to be a person in a suit or a puppet. We wanted it to be something that could evolve from a cellular piece, a tiny cell. It’s not that it comes out with an intent to do harm; it is its own creature, and it is affected by what happens to it.”

Paris, France - Monday March 13, 2017: Jake Gyllenhaal and Rebecca Ferguson at the Columbia Pictures "LIFE" Photo Call at The Planetarium of Le Grand Palais

Paris, France – Monday March 13, 2017: Jake Gyllenhaal and Rebecca Ferguson at the Columbia Pictures “LIFE” Photo Call at The Planetarium of Le Grand Palais

Rebecca Ferguson spins it as a relationship game with the pathogen. “We all have our own relationship to this creature. Some of us love it, we nurture it.  Some of us want to kill it off in the beginning.  And that creates an incredible tension in the group,” she said.

Ryan Reynolds rounds it out with, “this script had such a degree of reality and a feeling of constant tension,” that he reteamed with his DEADPOOL writing pals Rhett Reese and Paul Wernick, to ratchet up the stakes. Coincidentally, Reynolds also went back to the well with his SAFE HOUSE director Daniel Espinosa.

Having worked well with Reynolds, Espinosa is also super excited about LIFE. “I think the reason so many great directors have walked into science fiction is to work with the unknown — the fear or fascination with the unknown,” he said.  “We live in a world that is quite mundane, but in space, you enter an adventure – you don’t know how it looks, how it feels, what it can do to you, where it is. It doesn’t make a sound. That’s terrifying.”

Whatever the hell LIFE’s monster is in this case, the SAFE HOUSE director made it even scarier when he added that “this script felt more like a realistic science fiction. Maybe science reality.” Picture waking up ’50,000-year-old microbes’ inside crystalline hibernation on Mars, that is. Or, in movie critic shorthand, the DNA from amber plot device from Jurassic Park, but with super-freaky outer space Martian microbial goo meets Alien. Sorry for the gross oversimplification but this helps put your fears to rest, folks, because it’s only a movie. We hope. Alternative news purveyors might spin it as a doomsday scenario for planet Earth, lol. LIFE, go see it before it happens. It opens Mar. 24, brought to you by Skydance and SONY (Columbia).  Interestingly, Megan Ellison’s brother David Ellison is listed as a producer. The film has bowed in Berlin, Moscow, Paris, and at SXSW in Austin, Texas last week. [Most of the photos included are from SXSW premiere.] See their official website for showtimes and venues. Hahtag #LIFEMOVIE

Directed by:  

Daniel Espinosa

Written by:

Rhett Reese & Paul Wernick

Produced by:

David Ellison

Dana Goldberg

Bonnie Curtis

Julie Lynn

Executive Producers: 

Don Granger

Vicki Dee Rock

Cast:

Jake Gyllenhaal

Rebecca Ferguson

Ryan Reynolds

Hiroyuki Sanada

Ariyon Bakare

Olga Dihovichnaya

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